Search results for "All-Seeing Perspective"

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

Thirty years on, the actors who have brought the hearts of toys to life return with a new story. The new film 〈Toy Story 5〉 brings back Tom Hanks, Tim Allen and Joan Cusack—who have voiced their characters since the first film in 1995—as Woody, Buzz and Jessie, and the smart device "Lilypad," which...

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.

There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.

The Korea Film Archive (Director Mo Eun-young, hereafter “Korea Film Archive”) will host the new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉(hereafter “Title Exhibition (展)”) at the Korea Film Museum (located in Sangam-dong) starting Friday, the 8th.

With her latest work, Hungarian-born director Ildikó Enyedi, 〈Friend of Silence〉, is drawing attention as the second film in which Tony Leung has appeared outside the Chinese-language sphere since 〈A City of Sadness and Flower of Shanghai〉 (2021).

▶〈Salmokji〉 actor Kim Hye-yoon’s interview continues from Part 1. 〈Salmokji〉 is a horror film built around “experiential” scares. From the perspective of filming an “experiential” movie, was there anything that made this set different from other productions.