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[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Live-action adaptation of Tatsuki Fujimoto’s acclaimed manga, starring Natsuki Deguchi and Aju Makita.
The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
Olivia Rodrigo Announces ‘Daisy Chain Fields’ Festival for Women’s Solidarity, Kicking Off in Irvine on Aug. 29

Olivia Rodrigo Announces ‘Daisy Chain Fields’ Festival for Women’s Solidarity, Kicking Off in Irvine on Aug. 29

Rodrigo designed and launched the event herself; 100% of the proceeds go to women’s and children’s charities Chappell Roan, Mitski, KATSEYE, and even Stevie Nicks—an all-women lineup spanning generations Set for Aug. 29 at Irvine’s Great Park in California; presale begins at 10 a.m. on the 24th
The era’s top pop icon, Olivia Rodrigo, who swept the Grammy Awards, has officially announced the debut of her long-cherished music festival, ‘Daisy Chain Fields’. The event draws global attention not only for its large-scale festival format, but also for its bold lineup consisting entirely of...
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
The Master of Voice Acting, “Yoda·Professor Utonium”—Legendary Voice Actor Tom Kane Passes Away at 64

The Master of Voice Acting, “Yoda·Professor Utonium”—Legendary Voice Actor Tom Kane Passes Away at 64

The legendary voice that guided the childhood dreams of people worldwide through “Star Wars” and “The Powerpuff Girls” After battling a stroke in 2020, he passed away… His agency: “The stories and love he gave will last forever” Among his nine children, six were adopted or taken in… A “great father” whose life itself was mercy and devotion
The legendary voice actor Tom Kane—who filled countless people around the world with their childhood imagination through his roles as Master Yoda in “Star Wars” and Professor Utonium in “The Powerpuff Girls”—has died.
Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

The original title is 《Primavera》, which means “spring” in Italian. It is the name of the first concerto among Vivaldi’s 《The Four Seasons》, and another word for liberation.
The original title of the film 〈Vivaldi and Me〉 is 《Primavera》, which means “spring” in Italian. It is also the name of the first concerto among Vivaldi’s 《The Four Seasons》, but in this context, spring is another word for liberation.
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...