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[Official Trailer] “I Play Rocky Balboa”… Sylvester Stallone’s Reckless Challenge Sparks a New Electric-Tone Biopic Film, ‘I Play Rocky,’ Trailer Released

[Official Trailer] “I Play Rocky Balboa”… Sylvester Stallone’s Reckless Challenge Sparks a New Electric-Tone Biopic Film, ‘I Play Rocky,’ Trailer Released

A new film from director Peter Farrelly… newcomer Anthony Ippolito takes on a 100% match for Sylvester Stallone’s look in his younger days Hollywood’s greatest behind-the-scenes story—where a filmmaker wrote the script himself and still set a “no selling unless I’m the lead” ultimatum Matt Dillon, AnnaSophia Robb, Stefan James, and more solid supporting players join the cast… Opening in theaters this November via Amazon MGM distribution
How could a young man who was nothing more than an unknown actor become the legendary Hollywood hero ‘Rocky Balboa’? A biopic film, ’I Play Rocky ’, which captures Sylvester Stallone’s real-life Rocky-making backstory—more movie-like than the movie itself—has finally been released as an official...
| Yangsimoh
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Another Nicolas Cage resurgence has arrived — and no, this isn’t about stocks. Strong early reaction to 〈Spider-Man Noir〉 has put the actor’s long-running superhero fandom back in the spotlight. This article introduces anecdotes about Nicolas Cage, who is known in Hollywood as a prominent superhero...
| Seongchan Eol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Kim Ji-yeon
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.
This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.
| Joo Seong-cheol
[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.
A must-do itinerary on a trip to Hong Kong is Victoria Peak on Hong Kong Island. When you take the Peak Tram up, you’re treated to a stunning view: Hong Kong Island’s skyline in the foreground, with the Kowloon Peninsula stretching out far in the distance.
| Joo Seong-cheol