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CJ CGV Posts Record Quarterly Operating Profit of 73.6 Billion Won; ‘The Odyssey’ and ‘Spider-Man 4’ Boost Premium Formats

CJ CGV Posts Record Quarterly Operating Profit of 73.6 Billion Won; ‘The Odyssey’ and ‘Spider-Man 4’ Boost Premium Formats

Revenue rises 18% to 688.1 billion won as South Korean operations return to profitability; premium-format attendance share climbs to 18.1%
South Korean operations return to profitability as premium-format synergy builds; global box-office momentum to accelerate in Q4 CJ CGV posted its highest quarterly earnings on record, driven by growing demand for premium-format theaters and a recovery in the profitability of its core business in...
How Did ILLIT’s “jellyous” Become a YouTube Hit With 100 Million Views?

How Did ILLIT’s “jellyous” Become a YouTube Hit With 100 Million Views?

The group’s third music video to hit 100 million views, following “Magnetic” and “It’s Me,” resonates worldwide with its original portrayal of emotion
Third music video to reach 100 million views, proving the group’s global music power Girl group ILLIT has added another major milestone, fueled by an outpouring of interest from music fans around the world. Its agency, BELIFT LAB, officially announced that the music video for “jellyous” had...
‘Voices’: Will Testimonies from Four Women Break the Silence Across Japan?

‘Voices’: Will Testimonies from Four Women Break the Silence Across Japan?

Opens in Tokyo, Osaka and Kyoto on the 7th; three special talks will tour the cities on the 14th and 15th
Oral histories of four women who broke their silence reveal a tragedy that crosses borders The pain of Jeju 4·3, concealed in the shadows of history for more than half a century, is brought to life through women’s perspectives in the documentary ‘Voices.
[New Film] Kim Hyang-gi’s ‘I Like Just Breathing Beside You,’ a Youth Romance About Rental Fraud, Opens on the 18th

[New Film] Kim Hyang-gi’s ‘I Like Just Breathing Beside You,’ a Youth Romance About Rental Fraud, Opens on the 18th

Directed by Ko Hyeong-ju and starring Ahn Dong-goo, Hong Si-young and others, the film depicts the clash between reality and ideals amid substandard housing, including the “bathroom series”
The opening chapter of a “youth survival romance”: love in the face of harsh reality “The house doesn’t have to be that nice.” The confession shared by lovers Hwaran (Kim Hyang-gi) and Iwan (Ahn Dong-goo), as they promise each other a sweet future, is romantic—but the reality awaiting them is...
Professor X Rests in Peace: Beloved British Actor Patrick Stewart Dies at 86

Professor X Rests in Peace: Beloved British Actor Patrick Stewart Dies at 86

Beloved actor Patrick Stewart, who won fans around the world with the Star Trek and X-Men franchises, has died After battling dementia, including Alzheimer’s disease, he died at his Los Angeles home on Wednesday the 28th, aged 86, surrounded by family From the stage to Hollywood—and ultimately knighted by the British Empire… His final role will be in the upcoming Avengers film
Patrick Stewart, the celebrated British actor familiar to Korean audiences as Professor X, has died. On October 29 , multiple international entertainment outlets reported that British actor Patrick Stewart had died at the age of 86.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
KATSEYE to Make Headlining Debut at Lollapalooza India, Performing Jan. 24 in Member Lara’s Home Country

KATSEYE to Make Headlining Debut at Lollapalooza India, Performing Jan. 24 in Member Lara’s Home Country

The festival will be held Jan. 23-24 next year at Mumbai’s Mahalaxmi Racecourse, with the group joining Limp Bizkit and others on the bill.
HYBE girl group, fresh off a string of major global festival appearances, set to take the stage in Mumbai KATSEYE, the global girl group formed by HYBE and Geffen Records, will headline Lollapalooza India 2027, a major music festival taking place Jan.
85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

A24’s film 〈Sing Sing〉 has been playing for Korean audiences since October 21. It tells the story of Divine G , a man imprisoned for a crime he did not commit at a New York prison, who finds a new purpose in life through a theater program for incarcerated people.
At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

Instead of Pigsty, the film changed the first character of Kowloon Walled City (九龍城砦) to the character for “pig” (豬), creating Pig-Dragon Walled City (豬龍城砦).
〈Kung Fu Hustle〉 is the dream world Stephen Chow brought to life as a director, a work shaped by his abiding love for Bruce Lee and the traditions of Hong Kong martial arts cinema. It could be called Chow’s reinterpretation of the entire history of Hong Kong cinema.