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Movie & Entertainment Magazine from KOREA

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[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

[Joo Seong-cheol's Locker] The 'Canned Cart Camera' that Changed the History of World Cinema with 'Nouvelle Vague'

I am fascinated by objects in movies. I ponder deeply why directors, cinematographers, art directors, or even actors placed that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
"Keep shooting, because only we can do it. " 〈Nouvelle Vague〉 is a film set in Paris in 1959, depicting the process of Jean-Luc Godard , a passionate young film critic for the French film magazine 'Cahiers du Cinéma', shooting his debut film 〈Breathless〉 (1959).
| Joo Seong-cheol
[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

[Joo Sung-cheol's Locker] Ahn Sung-ki is Born, I am Ahn Sung-ki

I get attached to objects in movies. I deeply ponder why the director, cinematographer, art director, or actor placed that object in front of the camera. 'Joo Sung-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
I cannot help but talk about actor Ahn Sung-ki, so I ask for your understanding once again, and this series is also 'Joo Sung-cheol's Character Locker.' There is a record that can prove how much love he has received for a long time, which can be said to be the origin of the expression 'national...
| Joo Seong-cheol
[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

[Joo Seong-cheol's Locker] The Aesthetics of Jongmyo That Captivated Masters of Martial Arts from Ho Kim-jun to John Woo, Jackie Chan, and Sammo Hung

I get fascinated by objects in movies. I fall into deep contemplation about why that object was placed in front of the camera, whether it be the director, cinematographer, art director, or an actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
I must ask for your understanding again. I changed the last series to 'Joo Seong-cheol's Character Locker' and wrote a tribute to actor Lee Soon-jae, and this time I want to change it to 'Joo Seong-cheol's Building Locker' to talk about 'Jongmyo'.
| Joo Seong-cheol
[Chua-young's Music Box] The Aesthetics of Repetition and Variation in 'Asako' and the OST 'netemo sametemo'

[Chua-young's Music Box] The Aesthetics of Repetition and Variation in 'Asako' and the OST 'netemo sametemo'

I am captivated by the music in films. Music conveys the intimate emotions of characters that cannot always be expressed through visible images and audible dialogues. It can also serve as a window into the hidden intentions of the creator. For me, understanding film music was a way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
Boys gather in groups and light firecrackers. The firecrackers soar into the sky with a bang, startling Asako , who ducks for cover. At this moment, music begins to play, blending with the montage of the city, infusing the film with vitality.
| Chua-young
[Seong Chan Eol's Comic Book] Cliché but Classic Love is Beautiful, 'The Fragrant Flower Blooms with Dignity'

[Seong Chan Eol's Comic Book] Cliché but Classic Love is Beautiful, 'The Fragrant Flower Blooms with Dignity'

I am crazy about subculture. I check out not only movies but also webtoons, games, comics, and animations that deal with fresh stories, themes, and characters. I opened the world of 'otaku' through comic books and became an 'adult child' who reads comic books on e-books and webtoons on my smartphone. However, it’s less fun to enjoy alone. I draw [Seong Chan Eol's Comic Book] from the perspective of a passionate fan, capturing what would be more enjoyable to experience together.
There are quite a few people who only focus on one field. Some only read comics, while others only watch animations. As someone who has lived as a casual fan with a broad but shallow interest, I often forget this fact.
| Seongchan Eol
[Chua-young's Music Box] The Reason for Tears in the Theater... The Emotions Left by the OSTs of 'Wicked' and 'Wicked: For Good'

[Chua-young's Music Box] The Reason for Tears in the Theater... The Emotions Left by the OSTs of 'Wicked' and 'Wicked: For Good'

I get captivated by the music in movies. Music sometimes conveys the intimate emotions of characters that cannot be expressed through visible images and audible dialogues alone. It can also serve as a window to glimpse the hidden intentions of the creators. For me, understanding film music was a way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
In the winter of 2024, the film 〈Wicked〉 opened the door, and a year later, the 〈Wicked: For Good〉 returned to theaters. The 〈Wicked〉 series, which has been imprinted in the world as the wicked witch Elphaba with green skin since 1939 due to Victor Fleming's film 〈The Wizard of Oz〉, instantly sheds...
| Chua-young
[Joo Seong-cheol's Locker] When Trees Comfort Trees, the Cello of 'The Moment the Bell Rings' and 'Can't Help It'

[Joo Seong-cheol's Locker] When Trees Comfort Trees, the Cello of 'The Moment the Bell Rings' and 'Can't Help It'

I become fascinated by objects in movies. I find myself deeply contemplating why the director, cinematographer, art director, or even the actors chose to place that object in front of the camera. 'Joo Seong-cheol's Locker' is a record of the objects in films that have softly caught my eye.
Trees comfort trees. The documentary 〈The Moment the Bell Rings〉 tells the story of the millennium forest of Mount Gariwang in Jeongseon, Gangwon-do, which was destroyed to host the 2018 PyeongChang Winter Olympics.
| Joo Seong-cheol
[Joo Seong-cheol's Locker] What Beer Did Sergio (Benicio Del Toro) Always Carry in 'One Battle After Another'?

[Joo Seong-cheol's Locker] What Beer Did Sergio (Benicio Del Toro) Always Carry in 'One Battle After Another'?

I get fascinated by objects in movies. I ponder deeply why that object was placed in front of the camera, whether by the director, cinematographer, art director, or actor. 'Joo Seong-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.
〈One Battle After Another〉 made me curious about the beer that Sergio always carried. It was that can of beer that he casually handed to Bob Ferguson , who was stuck on the phone, unable to recall the code word.
| Joo Seong-cheol
[Chua-young's Music Box] 'Boléro' and 'Exit 8' - Goodbye Digimon, I'm now heading to 'Exit 8'.

[Chua-young's Music Box] 'Boléro' and 'Exit 8' - Goodbye Digimon, I'm now heading to 'Exit 8'.

I get hooked on the music in movies. Music conveys the intimate emotions of characters that sometimes cannot be expressed through visible images and audible dialogues. It can also serve as a window to glimpse the hidden intentions of the creator. For me, understanding film music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
The bewilderment I felt when I first watched the movie 〈Exit 8〉 comes to mind. As a Digimon fan, I went to the theater that day, as I usually do, listening to Maurice Ravel's timeless masterpiece 'Boléro' (Boléro), which was used in 〈Digimon Adventure〉 (1999-2000).
| Chua-young