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Search results for "The Woman Who Came Back"

‘Life-or-Death’ Proposal From the Top of Empire State Building’s 443m Antenna… Russian Couple Caught After Surprise Stunt

‘Life-or-Death’ Proposal From the Top of Empire State Building’s 443m Antenna… Russian Couple Caught After Surprise Stunt

On July 1 (local time), a sudden stunt in the middle of Manhattan, New York… climbing the antenna spire without safety gear After unfurling a large banner carrying a message of world peace, they knelt and offered a ring, and the proposal succeeded Famed rooftop influencer couple Angela Nikolau♥ and Ivan Beerkus were arrested at the scene for unlawful entry and reckless endangerment
A famous influencer couple that pulled off a life-or-death surprise proposal stunt from the dizzying top of the antenna spire of the Empire State Building, a symbol of New York, has been swiftly arrested by local police.
| Yangsimoh
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Joo Seong-cheol
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정
[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.
| Kim Ji-yeon
Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

The original title is 《Primavera》, which means “spring” in Italian. It is the name of the first concerto among Vivaldi’s 《The Four Seasons》, and another word for liberation.
The original title of the film 〈Vivaldi and Me〉 is 《Primavera》, which means “spring” in Italian. It is also the name of the first concerto among Vivaldi’s 《The Four Seasons》, but in this context, spring is another word for liberation.
| Cineplay
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay
Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

“I’ve done quite a few roles of real-life people, but I’ve never found it interesting to portray a span of more than 40 years the way I did as you know, 〈The Iron Lady〉. ”
〈The Iron Lady〉What It’s Like to Play a Controversial Female PoliticianIn that it centers on Margaret Thatcher, a controversial politician, 〈The Iron Lady〉(2011) essentially carries the big meaning that “Meryl Streep played Margaret Thatcher. ” For some viewers, that may be all there is to it.
| Joo Seong-cheol
[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.
How did they find someone like this. I wondered right away, thinking they might have literally brought in some unemployed neighborhood freeloader crashing at a friend’s place. The moment Jo Beom-gyu appears in 〈Jjanggu〉, bouncing his leg flippantly, that thought crossed my mind.
| Kim Ji-yeon
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol