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Danny Boyle’s Ink Confirmed for Release in South Korea This September After Being Named the Opening Film of the Venice Film Festival

Danny Boyle’s Ink Confirmed for Release in South Korea This September After Being Named the Opening Film of the Venice Film Festival

'Trainspotting' director Danny Boyle’s latest work and the official opening film of the 83rd Venice International Film Festival, 'Ink' Against the backdrop of the moon-landing era in 1969 and a media shakeup, the audacious origin story of the British tabloid 'The Sun' After premiere screenings at the Venice and Toronto international film festivals, the film is set to land in South Korea after late September
Ink, selected as the opening film for the Venice Film Festival, has been confirmed for release in South Korea. The film 〈Ink〉, directed by Danny Boyle, who helmed 〈Trainspotting〉 and 〈28 Days Later〉, was recently named the opening film of the 83rd Venice International Film Festival.
| Seongchan Eol
“Looks like a museum exhibition” — BamingTiger’s “Study” grabs No. 2 on Billboard’s K-pop chart

“Looks like a museum exhibition” — BamingTiger’s “Study” grabs No. 2 on Billboard’s K-pop chart

Selected by Billboard as one of the “Best K-pop Albums of the First Half of 2026” after NPR; praise for a musical experiment that moves across folk and hip-hop
BamingTiger proves the evolution of K-pop, stunning the global music press with an original narrativeThe regular second album of the alternative K-pop group ‘BamingTiger’, ‘Study’ , took the spotlight by landing at No. 2 on ‘Billboard’’s list of the “best K-pop albums of the first half of 2026.
| James choi
Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to VeniceDirector Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
| James choi
Ryu Seung-ryong, Ha Ji-won film 〈Bi-gwang〉 unveils teaser trailer

Ryu Seung-ryong, Ha Ji-won film 〈Bi-gwang〉 unveils teaser trailer

〈Miss Baek〉 director Lee Ji-won tells the grim redemption story of a star couple and Jung-gu's daughter
The film 〈Bi-gwang〉 has released a teaser trailer that sets up its intense storyline ahead of its Sept. 2 release.According to distributors Playgram and Content Geo on Aug. 21, 〈Bi-gwang〉 is a family chronicle about Jung-gu (Ryu Seung-ryong), once part of a glamorous star couple with Nam-mi (Ha...
| Kim Ji-yeon
Lee Chang-dong’s First New Film in 8 Years, “Possible Love,” Invited to Toronto With Jeon Do-yeon and Sol Kyung-gu

Lee Chang-dong’s First New Film in 8 Years, “Possible Love,” Invited to Toronto With Jeon Do-yeon and Sol Kyung-gu

Netflix’s official selection for the Special Presentations section at the Toronto International Film Festival, opening Sept. 10—set to be released worldwide via the streaming platform
The return of a master filmmaker and an anatomy of secret desire—breaking eight years of silenceOne of South Korea’s most influential film figures, director ‘Lee Chang-dong’, is breaking a long silence of eight years and stepping onto the global stage before cinephiles worldwide.
| James choi
Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

With 20 of 24 members taking the stage, the group promises a once-in-a-generation performance; the title track “Kids Return” expands its coming-of-age story.
Identity makes its grand return— a turning point in youth shaped by 20 boys“Identity,” which is redefining the paradigm for ultra-scale K-pop, has finally pulled back the curtain. On the 13th, the group hit the ground running with the release of its new album “itsnotover” and threw down a heavy...
| James choi
500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

A debut film by a 1999-born YouTuber director that pulled in 600 billion won on 1.1 billion won—surpassing ‘Backroom’ to claim No. 1 at the box office for horror.
‘500x Production Budget Jackpot’… A new playbook for horror hits from a 1999-born prodigy directorA once-in-a-lifetime horror craze that has swept through North American theaters has finally arrived on the Korean Peninsula.
| James choi
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon