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[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
McLaren’s ‘face of the team’ Lando Norris and ‘TikTok goddess’ Alix Earle spotted after an all-night party at London private club — are they the next mega couple?

McLaren’s ‘face of the team’ Lando Norris and ‘TikTok goddess’ Alix Earle spotted after an all-night party at London private club — are they the next mega couple?

At London’s high-end social club ‘The Twenty Two,’ the two stepped out until dawn Lando Norris appears to have sprinted away as paparazzi looked on, quickly getting into the vehicle afterward; Alix Earle showed off her golden dress in full After a clandestine get-together at the Monaco Grand Prix and the Cannes Film Festival last June, they turn up together again in London… rumors of a romance flared After the scandals with Braxton Berrios and Tom Brady, is Alix Earle declaring she’s ready for a younger man? “A man close to my age just isn’t attractive”
McLaren’s ace Lando Norris (Lando Norris·26) and Alix Earle (Alix Earle·25), a global top influencer and model with millions of TikTok followers, were caught leaving the UK capital’s private club side by side after partying together until the break of dawn, sending shock waves through both...
| Yangsimoh
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Finishing a mission 10 years in the making delivers catharsis, as praise for B-movie-style humor and action lands it a 5.0% finale rating to close things out on a high note
‘Fifty Percent’’s Brilliant Exit, the Evolution of a Well-Made Genre Series That Surpassed Rating Limits MBC’s Friday-Saturday drama ‘Fifty Percent’, which sparked a playful revolt in living rooms, closed out its long run with a lingering aftertaste.
| James choi
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
Hong Kong Retro Movie Tour ③ ‘Kowloon Walled City: The Untold Stories’ — The Kowloon Walled City Park Set That Revives Memories of Hong Kong Cinema

Hong Kong Retro Movie Tour ③ ‘Kowloon Walled City: The Untold Stories’ — The Kowloon Walled City Park Set That Revives Memories of Hong Kong Cinema

Erased in 1993, the Kowloon Walled City — left behind as “Kowloon Walled City Park” — was a bleak illegal residential zone where no sliver of sunlight ever reached.
When director Jingle Bao-rui’s 〈Kowloon Walled City: The Untold Stories〉 (hereinafter 〈Kowloon Walled City〉, 2024) hit theaters in Hong Kong in 2024, it set a record for the biggest box-office success in Hong Kong history.
| Joo Seong-cheol
'Muju Sanggol Film Festival' Next Actor Hyeri Wraps Up Meaningful 2 Nights and 3 Days—Top-Tier Communication From Exhibits to GV

'Muju Sanggol Film Festival' Next Actor Hyeri Wraps Up Meaningful 2 Nights and 3 Days—Top-Tier Communication From Exhibits to GV

Hyeri is selected as the eighth 'Next Actor' for the 14th Muju Sanggol Film Festival, making a splash with a wide range of moves from the opening ceremony self trailer to the theater; she also forges a deep bond with fans through a special exhibition featuring work behind the scenes, 'Actually, Lee Hye-ri Hasn’t Even Started Yet'; and she returns to TV in ENA’s new Monday-Tuesday drama 'Dream to You' premiering July 13 as Joo I-jae
Singer and actress Hyeri said she was selected as the 'Next Actor' for the 'Muju Sanggol Film Festival,' and that she took part directly in various programs—including talking with audiences—sharing her thoughts on the experience.
| Seongchan Eol
“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
| Joo Seong-cheol