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[Photo&] Stray Kids Aim Not for Awards, Releases New Album ‘THE? & THAT’… Grammy and Military-Halt Hiatus Feelings ‘Reporter Press-Talk Scene’

[Photo&] Stray Kids Aim Not for Awards, Releases New Album ‘THE? & THAT’… Grammy and Military-Halt Hiatus Feelings ‘Reporter Press-Talk Scene’

The mini album with eight tracks drops at 1:00 p.m. on the 7th, setting its sights on a ninth consecutive No. 1 on the Billboard 200
The group 'Stray Kids' returned after a 9-month silence with a new album, 'THE? & THAT' (THIS & THAT). At a release-day press event held at the Conrad Seoul hotel in Yeouido, Seoul, on the 6th, the members laid bare not only their overwhelming confidence in the new record but also their weighty...
[Weekend Theater Battle] Is it Nolan’s Epic or Marvel’s Dash… A Fight at the Weekend Box Office Ahead of the 5-Million Mark

[Weekend Theater Battle] Is it Nolan’s Epic or Marvel’s Dash… A Fight at the Weekend Box Office Ahead of the 5-Million Mark

Is it Nolan’s Epic or Marvel’s Dash… A Fight at the Weekend Box Office Ahead of the 5-Million Mark Christopher Nolan’s ambitious new film 'Odyssey' is seizing theaters as soon as it opens and driving a box-office surge.
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
Tang Wei, 47, Welcomes Her Second Son… “Our Family Trip Begins With Four,” A Second Miracle for the Couple From “Late Autumn”

Tang Wei, 47, Welcomes Her Second Son… “Our Family Trip Begins With Four,” A Second Miracle for the Couple From “Late Autumn”

The filmmaker Kim Tae-yong, who met through the film “Late Autumn,” and the couple share news of their first-hand delivery… posting family photos on social media
Tang Wei, 47, Welcomes Her Second Child After Eight Years… She announces the birth of her son directly via SNS on the 22nd, with lasting affection that has stretched for 10 years since her marriage in 2014 A connection forged through “Late Autumn,” culminating in the journey of a “family of four”...
Kim Kardashian Adds a Retro SUV to Her Garage This Time—Buying a Custom “1973 Ford Bronco” Worth Around 400 Million Won

Kim Kardashian Adds a Retro SUV to Her Garage This Time—Buying a Custom “1973 Ford Bronco” Worth Around 400 Million Won

She acquired the limited-edition classic SUV built in Florida by Velocity Restorations Picked up and shipped immediately with no wait after being introduced by her brother-in-law Travis Barker—delivered for an Idaho summer lake house A forest green exterior with a 460-horsepower engine—an ideal blend of outdoor spirit and modern performance Spending the summer on vacation by an Idaho lakeshore with her new F1 champion boyfriend, Lewis Hamilton, and their kids
Kim Kardashian (Kim Kardashian·45) has added a retro SUV with timeless style to her garage, which is already packed with luxury supercars. The purchase is drawing even more attention because it focuses less on sheer acceleration and more on analog nostalgia and the appeal of the outdoors.
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.