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“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.

[First reactions from the press screening]Na Hong-jin’s new film 〈Hope〉, which screened in competition at the 79th Cannes Film Festival, opens July 15. In 〈Hope〉, Beom-seok (Hwang Jung-min), chief of the Hopohang outpost in the Demilitarized Zone, hears from local young men that a tiger has...

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...

〈Hana Korea〉 tells one of Korean cinema’s most familiar stories in one of its most unfamiliar forms: a film by a Danish director, set in Seoul, about a North Korean defector. At times it unfolds like a Scandinavian film, yet its setting and faces are unmistakably Seoul, with Kim Min‑ha at the...

[OTT Ratings]Choi Min-sik and Choi Hyun-wook's suspense drama 〈Notes from the Last Row〉 is now streaming on Netflix. The series follows Heo Mun-o, a failed writer and Korean literature professor, as he discovers the genius of Lee Kang, a student in the back row, and grows obsessed with the boy's...

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.

Opening June 24, 〈Supergirl〉 is the second theatrical outing in James Gunn's DC Universe and a loose follow-up to 2025's 〈Superman〉. With the DCU's No. 2 batter stepping up to the plate, the film poses the question of whether it can properly continue the DCU's momentum.

[First Reactions]Opening today, 〈Supergirl〉 is an action blockbuster about Supergirl, a cosmic troublemaker and loner, who takes on an absolute evil at the start of the event that changes her life and ultimately finds a path of her own.