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[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
| 이화정
Na Hong-jin lands among The Hollywood Reporter’s 30 Most Influential Genre Directors

Na Hong-jin lands among The Hollywood Reporter’s 30 Most Influential Genre Directors

The Hollywood Reporter spotlights Na Hong-jin as a “Korean master who has built an international fan base” Hope, set for a North American release Sept. 9, unveils behind-the-scenes stories alongside a special interview with the local outlet Starring Hwang Jung-min, Jung Ho-yeon and Jo In-sung, Hope is expected to find global success after drawing 4.5 million moviegoers in South Korea
Director Na Hong-jin has been recognized for his influence by a major American entertainment outlet. The Hollywood Reporter names 30 genre directors The Hollywood Reporter, a leading U. S. entertainment and film publication, has released its list of the “30 Most Influential Genre Film Directors.
| Seongchan Eol
Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

“If horizontal film is a landscape painting, the vertical frame is a portrait. You can focus more deeply on a character’s inner life, and on set every actor gets a solo shot — it becomes a kind of liberated space for cinema where everyone stands equal.
| Kim Ji-yeon
Christopher Nolan's 'The Odyssey' Outpaces 10 Million-Viewer Hits, Becomes First Foreign Film to Top Box Office for Four Straight Weeks

Christopher Nolan's 'The Odyssey' Outpaces 10 Million-Viewer Hits, Becomes First Foreign Film to Top Box Office for Four Straight Weeks

Christopher Nolan's new film 'The Odyssey' is the fastest domestic release of the year to surpass 8 million viewers Draws 1.05 million viewers on its fourth weekend to become the first foreign film to lead the weekend box office for four straight weeks Brings Homer's epic to life on a breathtaking scale, solidifying its No. 1 presales ranking as the countdown to 10 million begins
〈The Odyssey〉 has gained momentum after becoming the fastest release of the year to surpass 8 million viewers and outperforming the pace of previous 10 million-viewer hits. Fastest 8 million milestone of the year Released Aug. 5, 〈The Odyssey〉 held the No.
| Seongchan Eol
'Odyssey' Scalpers Charge 100,000 Won as CGV Imposes Four-Ticket Daily Limit

'Odyssey' Scalpers Charge 100,000 Won as CGV Imposes Four-Ticket Daily Limit

The restriction applies only to the Yongsan IMAX auditorium, the country's only venue with a 1.43:1 aspect ratio, as cumulative attendance surpasses 7.65 million.
IMAX scalping prices soar as CGV takes drastic step to limit ticket purchases Multiplex theater chain 'CGV' is taking direct action to stamp out the distorted scalping market surrounding director Christopher Nolan's blockbuster 'Odyssey'.
| James choi
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

Gun-woo (Yoo Hee-je), an unemployed young man who quit baseball and finds himself at a dead end, and Mina (Kim Se-won), a teenage girl who wanders after her mother’s death, unable to fit into her new surroundings.
⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.
| 이화정
[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

Geon-woo (Yoo Hee-je), an unemployed young man who quit baseball and stands at a dead end in life, and Mina (Kim Se-won), a teenage girl who wanders after her mother's death, unable to fit into her new surroundings.
Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...
| 이화정
Netflix’s 'Scandal,' Starring Son Ye-jin, Ji Chang-wook and Nana, Sets Sept. 18 Premiere

Netflix’s 'Scandal,' Starring Son Ye-jin, Ji Chang-wook and Nana, Sets Sept. 18 Premiere

Directed by Jeong Ji-woo, the series reimagines the French novel 「Dangerous Liaisons」 in a Joseon-era setting
Netflix original series 〈Scandal〉 (The Scandal, directed by Jeong Ji-woo, written by Lee Seung-young and Ahn Hye-song) will premiere worldwide at 5 p. m. Sept. 18. The eight-episode series is produced by Movie Rock and Sumokwon.
| Kim Ji-yeon