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The sturdy barriers of American popular music completely collapsed before the destructive power of a Korean animation OST. The main theme song “Golden” from the Netflix original animated series “Kpop Demon Hunters” swept the top prize, “Song of the Year”, at the American popular music awards...

The evolution of a K-zombie thriller that takes over theaters, ‘Swarm’ sparks box-office surgeSouth Korea’s screens have been fully taken over. During the Buddha’s Birthday holiday, the film that instantly reshaped the theater landscape was Director Yeon Sang-ho’s ambitious work ‘Swarm’.

〈Colony〉 director Yeon Sang-ho, who directed the film, shared a casting anecdote involving Gu Kyo-hwan.During an on-site roundtable interview in a location in Jongno-gu, Seoul, on May 26, director Yeon Sang-ho talked about Gu Kyo-hwan, the actor with whom he has already collaborated for a fourth...

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.

‘SEVENTEEN,’ reshaping the landscape of the Asian music market, fully seized control of Japan’s music scene. With a stunning feat of drawing “180,000 people” across just four shows, it imprinted once again the group’s uniquely unreplaceable stature.

A red tide that swallowed the desert night, takes over Las VegasThe heart of global entertainment—Las Vegas in the United States—was fully engulfed by the massive red wave unleashed by 'Bangtan Sonyeondan'. Landmarks that stitched across the city skyline blasted red lights one after another, and...

“The audience is part of my family.” Herbie Hancock’s heartfelt confession lit up the night sky over Seoul.“The return of a master,” ruling the keys at age 86On the 24th at the Olympic Park 88 Grass Square, as darkness deepened, he appeared to close out the 18th Seoul Jazz Festival, blasting out...

A new box-office paradigm for the Korean film industry, the overwhelming run of “Kundo”Director Yeon Sang-ho’s distinct dystopian universe and the inimitable grip of Jun Ji-hyun have given rise to a new chapter in K-zombies.

Ratings surge straight up from 2. 2% to 6. 0%, a stunning catharsis launched by ’Worthlessness’JTBC’s well-made drama ’Everyone Is Fighting Their Own Worthlessness’ (hereafter ’Moja-mu-sse’) finally drew a brilliant curtain call. The final episode aired on the 24th notched 5.