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‘Made in Korea Season 2’ Hyun Bin’s ruthless ambition erupts! ‘Baek Gi-tae’ character still revealed!

‘Made in Korea Season 2’ Hyun Bin’s ruthless ambition erupts! ‘Baek Gi-tae’ character still revealed!

In Season 2, he sustains a dangerous double life for 9 years, taking on the role of acting head of the Korean Central Intelligence Agency and rising to No. 2 in the organization’s hierarchy.
〈Made in Korea Season 2〉, building buzz ahead of a bigger-than-Season-1 surge of desire and escalating showdowns, has unveiled character stills of Hyun Bin that capture his overwhelming charisma. 〈Made in Korea Season 2〉 is a noir drama depicting the precarious journey of ‘Baek Gi-tae’ as he goes...
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.
| Joo Seong-cheol
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
[Sung Chan-eol's Comics] 「Kindergarten WARS」 Turns Body Count Into Bizarre Rom-Com Fun

[Sung Chan-eol's Comics] 「Kindergarten WARS」 Turns Body Count Into Bizarre Rom-Com Fun

I'm obsessed with subculture. If a story or character feels fresh—whether in film, webtoons, games, comics, or animation—I check it out. Comics opened the world of fandom to me, and now I'm a kid-at-heart adult who reads paper volumes as e-books and webtoons on my phone. But it's less fun alone. I write [Sung Chan-eol's Comics] to share what’s more enjoyable experienced together, from the perspective of an enthusiastic generalist.
If someone asked me to sum up this comic, I'd probably hesitate and finally say, "It's fun. " It is fun. But it's not easy to explain. When I try to list impressions I come up with words that don't normally go together—funny, sweet, scary, brutal—so it's hard to convey.
| Seongchan Eol
Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol, who met as lovers on SBS “Our Movie.” A high-stakes chase to save a wife kidnapped just before the divorce begins on July 4.
A Crimson Chase Begins at the Brink of Disaster—KBS Makes a Bold Bet The moment the marriage teetered on the edge of separation, the wife vanished. A problem work, dressed in the skin of a "crime thriller," that digs into humanity’s lowest, most base desires is on the way.
| James choi

"I'm Like Litmus Paper" Koo Kyo-hwan: Memorable Lines from Everyone Is Fighting Their Own Worthlessness

As Hwang Dong-man, shifting between anxiety, hurt, and tenderness... Directorial debut confirmed in episode 8
Actor Koo Kyo-hwan portrays Hwang Dong-man in JTBC's Saturday-Sunday drama 〈Everyone Is Fighting Their Own Worthlessness〉, delivering lines that convey the character's complex inner psychology. On the show, Dong-man is a man who has long dreamed of debuting as a film director and battles both...
| Kim Ji-yeon