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Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

Gun-woo (Yoo Hee-je), an unemployed young man who quit baseball and finds himself at a dead end, and Mina (Kim Se-won), a teenage girl who wanders after her mother’s death, unable to fit into her new surroundings.
⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.
[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

Geon-woo (Yoo Hee-je), an unemployed young man who quit baseball and stands at a dead end in life, and Mina (Kim Se-won), a teenage girl who wanders after her mother's death, unable to fit into her new surroundings.
Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...
Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Ridley Scott's 〈Dog Star: Last Hope〉, adapted from Peter Heller's novel, imagines a virus-ravaged 2035 as both post-apocalyptic drama and road movie — with striking visuals but uneven dramatic payoff. At 88 and still energetically directing on set, Scott adapts the novel into a film about a man's...
Beyond an Acting Reinvention: Elliot Page of 〈Odyssey〉 and Other Transgender Filmmakers in Hollywood

Beyond an Acting Reinvention: Elliot Page of 〈Odyssey〉 and Other Transgender Filmmakers in Hollywood

As Christopher Nolan’s 〈Odyssey〉 finds box-office success, one actor is earning a reassessment after months of controversy over the casting: Elliot Page, who plays Sinon. Before the film’s release, rumors that "Elliot Page would play Achilles" spread as if they were fact, and Page and Nolan faced...
“My Dracula Is an Aesthete”: Luc Besson’s “Dracula” Opens on the 26th After a 400-Year Wait

“My Dracula Is an Aesthete”: Luc Besson’s “Dracula” Opens on the 26th After a 400-Year Wait

Starring Caleb Landry Jones and Christoph Waltz, the fantasy romance is based on Bram Stoker’s novel
Luc Besson’s New Film “Dracula: A Love Tale” Follows a Vampire’s 400-Year WaitThe fantasy romance, starring Caleb Landry Jones, opens on the 26thLuc Besson, a leading figure in European cinema, presents “Dracula: A Love Tale”, his reimagining of the legendary vampire as a mesmerizing aesthete.
Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Invited to TIFF's official industry program at the 51st Toronto International Film Festival
Yeon Sang-ho, whose film 〈PARADISE LOST〉 has been invited to the Special Presentation section of the 51st Toronto International Film Festival, will take part in a TIFF Summit: Dialogues conversation with Japanese filmmaker Hirokazu Kore-eda at 4 p. m. local time on Sept.
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
Nolan’s The Odyssey surpasses 6 million admissions in 17 days, marking first-ever all-IMAX production

Nolan’s The Odyssey surpasses 6 million admissions in 17 days, marking first-ever all-IMAX production

The film holds a commanding 71.8% share of advance bookings as star Matt Damon releases a message of thanks to Korean audiences
Master filmmaker Christopher Nolan’s ambitious epic The Odyssey is fueling a massive box-office surge in theaters. The film surpassed 6 million admissions just 17 days after its release, securing third place among this year’s top-grossing films in South Korea.