LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "classic films"

[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

Shin Min-a leads with ‘Eye-dongja’ at 359,000-plus viewers (32.7% share) in second; ‘Goonche’—a K-zombie tale—lands third; Timothée Chalamet’s ‘Matti Supreme’ takes fourth
Disney-Pixar’s masterpiece ‘Toy Story 5’ completely dominated the weekend theater scene in its third week of release, easily surpassing the 2 million-admissions mark.A comeback of the analog in the digital age—stealing the hearts of 2 million viewersAccording to data from the Integrated Ticketing...
| James choi
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
| Joo Seong-cheol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Netflix’s New Rom-Com “Voicemails for Isabelle” Hits a 91% Rotten Tomatoes Popcorn Score

Netflix’s New Rom-Com “Voicemails for Isabelle” Hits a 91% Rotten Tomatoes Popcorn Score

The Netflix original film starring Zoey Deutch and Nick Robinson is captivating viewers immediately after its release “Audience ratings reach 91%, one of the best performances among recent Netflix films” A clever, heartfelt romance narrative connected by the voice messages left for a sister who has passed away
Netflix’s new romantic comedy film, “Voicemails for Isabelle,” is capturing the hearts of viewers around the world right after it was released and is charging ahead with a breakout box-office run. Forbes, a U. S.
| Yangsimoh
The Secret Behind Filming “Hope”! “The Making of HOPE” First Look Released!

The Secret Behind Filming “Hope”! “The Making of HOPE” First Look Released!

It shows the clash between a 3D creature crafted through facial capture and motion capture, and pure action created by humans.
〈bracket〉HOPE〈/bracket〉 is an action film built with traditional techniques, featuring a high-tech 3D creature. 〈bracket〉HOPE〈/bracket〉 sought to make a classic action movie in which all stunts are performed and filmed directly by the actors, without any CG assistance, just like the action films...
| Joo Seong-cheol
‘Hong Kong Film Gala Presentation’ Kicks Off at emu Artspace on June 26

‘Hong Kong Film Gala Presentation’ Kicks Off at emu Artspace on June 26

Opening lineup includes 〈Someone Like Me〉, followed by 〈A Better Tomorrow〉 〈Rouge〉 〈Once a Thief〉 〈In Broad Daylight〉, among others, with 10 Hong Kong films screened.
The Asian Film Awards Academy said it will host 〈Hong Kong Film Gala Presentation〉 at emu Artspace, Seoul’s leading arts venue, for 10 days from June 26 to July 5. Carrying forward the academy’s mission of cultural exchange through Asian film, the event features movie screenings, a themed...
| Joo Seong-cheol
Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Opening June 24, 〈Supergirl〉 is the second theatrical outing in James Gunn's DC Universe and a loose follow-up to 2025's 〈Superman〉. With the DCU's No. 2 batter stepping up to the plate, the film poses the question of whether it can properly continue the DCU's momentum.
| Seongchan Eol
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
| Chua-young
Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

Cannes Winner ‘Bring Me to the Back Seat’ Original Novel Tops eBook Charts Immediately After Release

The original novel of the Cannes Film Festival screenwriting winner, released in South Korea, shot to No. 1 on bestseller lists at the same time theaters won hearts.
The aftershocks of the masterfully crafted masterpiece chosen by the Cannes Film Festival are rippling beyond the screen, creating a seismic shift in the publishing world. The ‘Bring Me to the Back Seat Original Novel’, released through official channels in South Korea on the 15th, regained...
| James choi