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Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

SF film “Hope,” starring Hwang Jung-min and Jo In-sung, makes rounds at the GV event… “Awe-inspiring suspense and surprising exhilaration”
A master filmmaker’s praise, opening a new horizon for Korean science fiction “I kept my eyes on the screen, even amid a runaway rush of excitement. ” Global maestro “Bong Joon-ho” offered the rousing tribute after he met “Na Hong-jin”’s latest work “Hope”.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

A Blood-Red Curse Overruns the Palace! ‘The East Palace’ Main Poster & Teaser Trailer Released, Special Posters Unveiled!

Koo Cheon (Nam Joo-hyuk), who can move between the world of the ghoi(ghosts), and Saenggang (No Yoon-seo), a palace maid who keeps a secret, receive a summons from the king (Jo Seung-woo).
Netflix series 〈The East Palace〉 has released its main poster, main teaser trailer, and special posters, raising expectations further with the story of how Koo Cheon (Nam Joo-hyuk), who can move between the world of ghoi , and Saenggang (No Yoon-seo), a palace maid who keeps a secret, are summoned...
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
US True-Crime Motif, Busan Indie Film Festival Winning Film ‘ChungChungChung’... Dangerous Impulses of Late-Twentieth-Century Teens

US True-Crime Motif, Busan Indie Film Festival Winning Film ‘ChungChungChung’... Dangerous Impulses of Late-Twentieth-Century Teens

A look at teens’ lack and desire shaped by the collision of impulses... The winner of the Busan International Film Festival jury’s special award will open on the 17th.
Fragmented Desires, a Portrait of a Perilous Solidarity The pathological signs of modern society show up in the most fragile gaps—'lack' among teenagers. A boy gripped by blind duty, convinced he can save the world, and a girl, Jisuk, who tries to prove control with a self-destructive mechanism...
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibility The willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol, who met as lovers on SBS “Our Movie.” A high-stakes chase to save a wife kidnapped just before the divorce begins on July 4.
A Crimson Chase Begins at the Brink of Disaster—KBS Makes a Bold Bet The moment the marriage teetered on the edge of separation, the wife vanished. A problem work, dressed in the skin of a "crime thriller," that digs into humanity’s lowest, most base desires is on the way.