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[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.
Are You on Team Hak? ‘The Remarried Empress’ Unveils Stills of the Empress’s Aides, Played by Lee Bong-ryun, Nam Yoon-ho, Choi Dae-hoon, Jung Young-joo and Park Ho-san

Are You on Team Hak? ‘The Remarried Empress’ Unveils Stills of the Empress’s Aides, Played by Lee Bong-ryun, Nam Yoon-ho, Choi Dae-hoon, Jung Young-joo and Park Ho-san

The stills feature Lady Eliza (Lee Bong-ryun) and Marquis Lant (Nam Yoon-ho), who serve the empress and emperor at their side, as well as McKenna (Choi Dae-hoon), Heinrey’s secretary and cousin.
〈The Remarried Empress〉 is a sweeping romantic fantasy epic about Navier (Shin Min-a), the perfect empress of the Eastern Empire, who is told by Emperor Sovieshu (Ju Ji-hoon)—who has fallen for Rashta (Lee Se-young), a runaway slave—that he wants a divorce.
Late Shin Hae-chul, Yoo Jae-suk and BLACKPINK to Receive Top Cultural Honors on Oct. 29

Late Shin Hae-chul, Yoo Jae-suk and BLACKPINK to Receive Top Cultural Honors on Oct. 29

Shin Hae-chul to receive Silver Crown, Yoo Jae-suk the Bogwan Order and BLACKPINK the Okgwan Order; 36 honorees, including Yoo Hae-jin and Jang Hang-jun, to receive commendations
Silver Crown Order of Cultural Merit to Be Awarded Posthumously to Shin Hae-chul 17th Korea Popular Culture and Arts Awards to Be Held Oct. 29, Honoring 36 People and Teams, Including 10 Order of Cultural Merit Recipients Han Young-ae to Receive Bogwan Order of Cultural Merit on 50th Anniversary of...
Actor Lee Wan and Pro Golfer Lee Bo-mi Welcome First Child After Five-Year Wait: Expecting a Daughter in February

Actor Lee Wan and Pro Golfer Lee Bo-mi Welcome First Child After Five-Year Wait: Expecting a Daughter in February

The couple, who met at a Catholic church in 2019, officially announced the news through Story J Company
A new chapter for the actor and the “Smile Candy” golfer Actor Lee Wan (birth name Kim Hyung-soo, 42) and his wife, professional golfer Lee Bo-mi (38), are expecting their first child, five years after getting married.
KATSEYE to Make Headlining Debut at Lollapalooza India, Performing Jan. 24 in Member Lara’s Home Country

KATSEYE to Make Headlining Debut at Lollapalooza India, Performing Jan. 24 in Member Lara’s Home Country

The festival will be held Jan. 23-24 next year at Mumbai’s Mahalaxmi Racecourse, with the group joining Limp Bizkit and others on the bill.
HYBE girl group, fresh off a string of major global festival appearances, set to take the stage in Mumbai KATSEYE, the global girl group formed by HYBE and Geffen Records, will headline Lollapalooza India 2027, a major music festival taking place Jan.
[First Impressions] Cineplay Critic’s Rating for 'Final Interview'

[First Impressions] Cineplay Critic’s Rating for 'Final Interview'

[First Impressions] Cho Yi-hyun X Kim Jae-won X Shin Seung-ho X Kang You-seok X Kwak Dong-yeon X Bae Gang-hee: six people locked in a breathless psychological battle! 〈Final Interview〉 opens November 4. In 〈Final Interview〉, six applicants gathered for a final job interview discover mysterious...
85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

A24’s film 〈Sing Sing〉 has been playing for Korean audiences since October 21. It tells the story of Divine G , a man imprisoned for a crime he did not commit at a New York prison, who finds a new purpose in life through a theater program for incarcerated people.
At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

Instead of Pigsty, the film changed the first character of Kowloon Walled City (九龍城砦) to the character for “pig” (豬), creating Pig-Dragon Walled City (豬龍城砦).
〈Kung Fu Hustle〉 is the dream world Stephen Chow brought to life as a director, a work shaped by his abiding love for Bruce Lee and the traditions of Hong Kong martial arts cinema. It could be called Chow’s reinterpretation of the entire history of Hong Kong cinema.