Search results for "Korea-Japan drama"

Ok Taec-yeon Returns With Netflix Japanese Series ‘Soulmate’… Worldwide Release on May 14

Ok Taec-yeon Returns With Netflix Japanese Series ‘Soulmate’… Worldwide Release on May 14

In sync with Lee Isomura Hayato… A 10-Year Story Set in Berlin, Seoul, and Tokyo Ok Taec-yeon to play ‘Johann,’ a wounded Korean boxer… Promises a careful performance of fragile emotions A Korea-Japan co-production project… Studio Dragon GTist and Robot to participate
Actor Ok Taec-yeon (38) meets fans around the world with a Netflix original series, following news of his recent marriage. Netflix announced that it will unveil Ok Taec-yeon’s starring Japanese new series, ‘Soulmate ,’ in a major release on the 14th of next month.
Tokkom Media Launches Short-Drama Platform ‘K-Short’ on May 1

Tokkom Media Launches Short-Drama Platform ‘K-Short’ on May 1

Releasing 46 episodes, including the original ‘Cinderella Shaman’… Targeting global markets with support for 13 languages Introducing AI technology to maximize production efficiency… Presenting a new distribution paradigm for short-form content Tokkom Media “Will take the lead in securing global competitiveness for K-short dramas and building an ecosystem”
Content production company Tokkom Media is set to launch its dedicated platform, ‘K-Short,’ on May 1 to tap into the rapidly growing short-form drama market. With short-form content such as TikTok and YouTube Shorts already becoming mainstream, the company aims to build a new distribution channel...
[Photo&] aespa Enchanted the Tokyo Dome with a “Iron Taste” Live… 170,000-Person Record Waitline “Concert Site”

[Photo&] aespa Enchanted the Tokyo Dome with a “Iron Taste” Live… 170,000-Person Record Waitline “Concert Site”

Kyoocera Dome and Tokyo Dome Tour drew 170,000 viewers to roaring success. An overwhelming stage presence that even captivated male fandom, heightening anticipation with a comeback announcement next month for their 2nd full-length album.
aespa’s Impossibly Powerful Return That Swallowed the Tokyo Dome“Supernova,” which boomed grandly at the heart of Japan, the Tokyo Dome, was more than just a hit song—it was a massive declaration proving the status of a top-tier global artist.
After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

After 'Salmokji,' Ready for a Ghost Tour? Korean Horror Films Set at Real-Life Haunted Spots

〈A Man Living with the King〉's Yeongwol was followed by Yesan for 〈Salmokji〉. The film 〈Salmokji〉, which has already surpassed twice its break-even point, takes its motif from the 'Salmokji legend,' which is set at the Salmokji reservoir in Gwangsim-myeon, Yesan, Chungnam.
[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

[Seong Chan-eol's Manga Books] A Class-Defying Romance That Slowly Seeps In Like Ink in Water 「Emma」

I'm obsessed with subculture. I check out anything that handles fresh stories, ideas, or characters—not only films but webtoons, games, comics, and animation. Having opened the door to the world of 'geek' through printed manga, I now read comics on e-books and webtoons on my smartphone—I've become...
[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)
Following the first film, 〈Girls Band Cry: The Movie—Youth Rhapsody〉 (hereinafter 〈Youth Rhapsody〉), the sequel 〈Girls Band Cry: The Movie, Hey Our Future〉 was released in theaters on April 16. This theatrical release is a compilation film: while it faithfully follows the existing story, it adds...
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
Kill Bill: The Whole Bloody Affair Adds 12 More Minutes—What Changed in the 275-Minute “Whole Bloody Affair”?

Kill Bill: The Whole Bloody Affair Adds 12 More Minutes—What Changed in the 275-Minute “Whole Bloody Affair”?

Is this a re-release, or the original? A movie that confuses audiences—yet, oddly enough, even that confusion feels like something to welcome—has finally found its way to theaters. Released on April 1, 〈Kill Bill: The Whole Bloody Affair〉 is a new version of the 〈Kill Bill〉 two-part saga originally...
“Yumi’s Cells” Season 3 to Premiere in 18 Countries on April 13—Including Japan and Southeast Asia

“Yumi’s Cells” Season 3 to Premiere in 18 Countries on April 13—Including Japan and Southeast Asia

TVING’s Global Distribution Push… Available via HBO Max and a TVING Brand Channel on Disney+ Japan
Returning is “Cell Stimulating Empathy Romance,” delivering a fresh jolt with a first-of-its-kind blend of live action and 3D animation. TVING announced that it will kick off a global hit run by releasing the original series 〈Yumi’s Cells Season 3〉 simultaneously in 18 Asia-Pacific...