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A Comedy That Makes You Laugh Without Being Formulaic: Review & a Look at the Press Conference for <Wild Thing>

A Comedy That Makes You Laugh Without Being Formulaic: Review & a Look at the Press Conference for

There's that old saying about an empty cart making the most noise. But 〈Wild Thing〉 seems to be the exception. I didn't expect it to be this entertaining. In an era when promotional content functions as a meme, how often have pre-release promos and trailers been more entertaining than the film...
| Kim Ji-yeon
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정
[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

After her younger sister Sora (Seung-hwa Kim), who has a criminal record for murder, is released from prison, the day-to-day life of star pet dog trainer Ha-young (Seung-yoon Choi) begins to shake.
A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.
| 이화정
[A Pinch by Kim Ji-yeon] Why “21st-Century Daegun’s Wife” (21st-Century Grand Prince Consort) Turned Out More Bland Than Expected

[A Pinch by Kim Ji-yeon] Why “21st-Century Daegun’s Wife” (21st-Century Grand Prince Consort) Turned Out More Bland Than Expected

After saying 'I enjoyed it,' I always feel like tacking on a 'but. ' Maybe it's my innate contrarian streak. No matter how entertaining a movie or drama is, there's always one thing I want to point out. I pick at that nagging detail and write 'A Pinch by Kim Ji-yeon.
| Kim Ji-yeon
Hor-Com Is the New Rom-Com! A K-teen Film That Wipes Tears With Laughter — Review of 〈Gyosaeng Silsup〉 & Press Conference Snapshot

Hor-Com Is the New Rom-Com! A K-teen Film That Wipes Tears With Laughter — Review of 〈Gyosaeng Silsup〉 & Press Conference Snapshot

In K-teen films, there are no worries about students preparing for the college entrance exam. K-teen films remove shadows and present only sunshine and freshness. But are real Korean high school students like that. At 10 p. m.
| Kim Ji-yeon
Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

“I’ve done quite a few roles of real-life people, but I’ve never found it interesting to portray a span of more than 40 years the way I did as you know, 〈The Iron Lady〉. ”
〈The Iron Lady〉What It’s Like to Play a Controversial Female PoliticianIn that it centers on Margaret Thatcher, a controversial politician, 〈The Iron Lady〉(2011) essentially carries the big meaning that “Meryl Streep played Margaret Thatcher. ” For some viewers, that may be all there is to it.
| Joo Seong-cheol
Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

Finished in Two Months Without Actors or Crew…A 100% AI Film Arrives

From Director Kim Il-dong’s “I’m Popo” to a Chinese film where AI handled the entire process: The infiltration of generative AI into the film industry, ushering in the one-person production era
An ethical clash that erupts as artificial intelligence , equipped with consciousness and emotions, penetrates every corner of society. That is the core plot of Director Kim Il-dong’s film 'I'm Popo', set to open next month on the 21st.
| James choi
James Cameron X Billie Eilish Meet Up, “Hit Me Hard and Soft: The Tour” Blue Art Poster Unveiled

James Cameron X Billie Eilish Meet Up, “Hit Me Hard and Soft: The Tour” Blue Art Poster Unveiled

A concert movie featuring a Z-generation pop icon captured in 3D technology by acclaimed director James Cameron Live performance from the Co-op Live in Manchester, UK, in July 2025…The poster’s deep-blue lighting draws attention Teasing a “completely new cinematic experience you can experience in theaters,” the film opens nationwide in theaters on May 6
A blue art poster for 〈Billie Eilish - Hit Me Hard and Soft: The Tour〉 has been unveiled, capturing Billie Eilish’s charisma.A meeting between James Cameron and a pop icon 〈Billie Eilish - Hit Me Hard and Soft: The Tour〉 is a concert movie in which renowned director James Cameron, who is known for...
| Seongchan Eol
[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.
How did they find someone like this. I wondered right away, thinking they might have literally brought in some unemployed neighborhood freeloader crashing at a friend’s place. The moment Jo Beom-gyu appears in 〈Jjanggu〉, bouncing his leg flippantly, that thought crossed my mind.
| Kim Ji-yeon
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol