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AI Actor Tilly Noud Lands Lead in Long Film, Stokes Hollywood Backlash

AI Actor Tilly Noud Lands Lead in Long Film, Stokes Hollywood Backlash

Tilly Noud, an AI performer that drew heavy criticism from the actors’ union, will star in the new movie “Misaligned,” potentially reigniting job-market controversy in the film industry
Hollywood’s long-standing tradition has finally hit a major turning point with the arrival of a seemingly intangible “artificial intelligence actor.” Beyond a mere technical experiment or a bit part, the entertainment industry worldwide was thrown into turmoil after the first case was announced of...
| James choi
NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

Universal Television tried to move the show to a different platform, but it didn’t happen; fans who expected a dramatic structure like Netflix’s ‘Lucifer’ were crushed by the news of expired contracts Starring actors including Melissa Roxburgh are now free agents… as NBC’s fall lineup overhaul ushers the series into the past
After the network delivered a cancellation notice, NBC’s action crime investigation drama ‘The Hunting Party ’ bet on a dramatic bid for survival by probing a move to another platform—only to arrive at a complete end as the cast’s contract options expired for good.
| Yangsimoh
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
| Kim Ji-yeon
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!”Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
| Kim Ji-yeon
[Box Office] Toy Story 5 Surges Past 1.6 Million Admissions…Shin Mina’s Eye Drops to No. 2

[Box Office] Toy Story 5 Surges Past 1.6 Million Admissions…Shin Mina’s Eye Drops to No. 2

' Toy Story 5' Opens the Prelude to a Long Reign at the Box OfficeDisney and Pixar’s masterpiece animated film `'Toy Story 5'` seized full control of theaters even in its second week after release, locking in a steady, record-setting run at the box office.
| James choi
Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

※ This interview with Gong Myung, star of 〈Husbands〉, continues from Part 1. The animal clinic van got a lot of laughs in the film. What was your first impression when you saw the clinic van. Also, the van’s drift action was striking—how did you prepare for that. It was so adorable.
| Kim Ji-yeon
[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

In Netflix's 〈Husbands in Action〉, released on the 19th, Gong Myung delivers a performance that most fully showcases the actor’s coined "bright-eyed mania" charm. The film is a comedy-action story about an unpredictable rescue mission in which an ex-husband and a current husband, who unexpectedly...
| Kim Ji-yeon