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Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Netflix movie ‘Husbands in Action’ character stills revealed featuring Jin Seon-gyu, Gong Myung, Kim Ji-seok, and Yoon Kyung-ho!

Netflix movie ‘Husbands in Action’ character stills revealed featuring Jin Seon-gyu, Gong Myung, Kim Ji-seok, and Yoon Kyung-ho!

A wives’ abduction by a criminal organization forces two ex-husbands and current husbands to team up—launching an unpredictable rescue operation.
A comedy-action film 〈Husbands in Action〉 that depicts a wild rescue plot in which a former husband and a current husband—who end up joining forces almost by accident to save a wife kidnapped by a criminal organization—has unveiled character stills that capture the clashing chemistry of four people...
| Joo Seong-cheol
Hwang Jung-min Stars in New Film “Hope” as Filming Location in Haenam Is Built Into an 1980s-Themed Street

Hwang Jung-min Stars in New Film “Hope” as Filming Location in Haenam Is Built Into an 1980s-Themed Street

Director Na Hong-jin’s new film “Hope,” set mainly in Namchang-ri, Haenam, brings an unusual tourist spot to life with a recreated 1980s backdrop and props from the movie
At the Cannes Film Festival, director Na Hong-jin’s new film “Hope”—the filming site in Namchang-ri, Bukpyeong-myeon, Haenam County, South Jeolla Province—is set to get an eye-catching cultural street.On the 27th, Haenam County said the county has begun in earnest a project to create a themed...
| James choi
Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol Reunite as a Couple—A Kidnapping Frenzy Just Before Divorce, “The Complete Marriage”

Namkoong Min and Lee Seol, who met as lovers on SBS “Our Movie.” A high-stakes chase to save a wife kidnapped just before the divorce begins on July 4.
A Crimson Chase Begins at the Brink of Disaster—KBS Makes a Bold BetThe moment the marriage teetered on the edge of separation, the wife vanished. A problem work, dressed in the skin of a "crime thriller," that digs into humanity’s lowest, most base desires is on the way.
| James choi
Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

Hwang Jung-min’s “Stella” Becomes a Police Car: Hyundai Sponsors Noh Hong-jin’s “Hope” in Competition at Cannes

In Noh Hong-jin’s new film “Hope,” Hwang Jung-min and Jung Ho-yeon’s police car is “Stella”—a key on-screen object poised to captivate global audiences while past heritage meets today’s art
'Stella' Walks the Cannes Red Carpet: 'Hyundai Motor'’s Meticulous Cultural Ambassador StrategyAs the new work 'Hope' by master filmmaker 'Noh Hong-jin' entered the competitive section of the 79th Cannes Film Festival and drew global attention, an unexpected scene-stealer stepped in.
| James choi