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A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
The Best-Selling Religious Animation Hit ‘David’ Sparks Buzz as Park Bo-gum Takes on Voice Acting for the First Time, With an All-Star Cast Featuring Jang Kwang and Cha Ji-yeon

The Best-Selling Religious Animation Hit ‘David’ Sparks Buzz as Park Bo-gum Takes on Voice Acting for the First Time, With an All-Star Cast Featuring Jang Kwang and Cha Ji-yeon

Global box-office hit ‘David,’ which set the biggest opening for a religious animated film of all time, opens in South Korea on July 15 Park Bo-gum, one of the hottest actors, is instantly cast as David, a regular shepherd…his first-ever attempt at animation dubbing since his debut An A-list dubbing roster is assembled, including Jang Kwang as Samuel, Cha Ji-yeon as Niziveth, and Song Jun-seok as King Saul
〈David〉’s domestic dubbing cast has drawn attention. Animated feature 〈David〉 tells the story of how an ordinary shepherd named David comes to face the fate of a king, from the moment it begins with his mother’s song to his confrontation with the giant Goliath who struck fear into the world.
A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

A Look Inside Kore-eda Hirokazu’s Korea Press Conference for New Film 〈Sheep in the Box〉

Director Kore-eda Hirokazu introduced his new film 〈Sheep in the Box〉 at a June 4 press briefing at Megabox COEX in Seoul, joined by child actor Kuwaki Rimu, who plays the humanoid Kakeru. Known for his warm yet incisive take on alternative families, Kore-eda returns with a film that extends his...
[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

※〈The Legend of Kitchen Soldier〉 actor Park Ji-hoon's interview continues from Part 1. 〈The Legend of Kitchen Soldier〉 features many well-known comedic actors. In particular, the chemistry with Lee Hong-nae, who plays Sergeant Yoon Dong-hyun, stood out.
“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

New mystery from director Yu Eun-jeong stars Park So-yi and Yuna and screened in the Vision section of the 30th Busan International Film Festival
Actor Im Su-jeong will make her producing debut with 〈The Second Child〉, which is set for a nationwide theatrical release in July. Distributor Thunder Film released the first production stills on July 1. 〈The Second Child〉 is the new film from director Yu Eun-jeong, who directed The Night's Door...
Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Another Nicolas Cage resurgence has arrived — and no, this isn’t about stocks. Strong early reaction to 〈Spider-Man Noir〉 has put the actor’s long-running superhero fandom back in the spotlight. This article introduces anecdotes about Nicolas Cage, who is known in Hollywood as a prominent superhero...
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.