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Search results for "I Can't Help It"

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure?
| Kim Ji-yeon
[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

※The interview with 〈Intern〉 actor Choi Min-sik continues from Part 1. In the film's second half, Gi-ho’s shout of “Snap out of it. ” at a shaken Seon-woo felt like the highlight. How did you approach acting that scene.
| Kim Ji-yeon
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

Geon-woo (Yoo Hee-je), an unemployed young man who quit baseball and stands at a dead end in life, and Mina (Kim Se-won), a teenage girl who wanders after her mother's death, unable to fit into her new surroundings.
Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...
| 이화정
How China’s Viral ‘Niu Lai’ Turned an Awkward Look Into a Box-Office Hit

How China’s Viral ‘Niu Lai’ Turned an Awkward Look Into a Box-Office Hit

The slang term "bamti" has gone viral. From its origin to its usage, the bittersweet humor of bamti started when a user with the nickname Bamti in a social game customized their character in an unusually eccentric way.
| Seongchan Eol
[Photo &] Ulsan Uljoo World Mountain Film Festival Opens Sept. 18… 11 Quirky Theaters Including ‘Car Camping’ and ‘Tent’ Venues (Press Conference Scene)

[Photo &] Ulsan Uljoo World Mountain Film Festival Opens Sept. 18… 11 Quirky Theaters Including ‘Car Camping’ and ‘Tent’ Venues (Press Conference Scene)

The event centralizes festival spaces across Yeongnam Alps, with 114 films from 35 countries screened… Actor Uhm Eun-jung steps in as master of ceremonies for the opening ceremony
A wondrous moment to face film in the embrace of the great outdoors has arrived. The 11th “Ulsan Uljoo World Mountain Film Festival” has confirmed its opening for Sept. 18, and it will showcase 114 works from 35 countries across 11 distinctive screening venues, including “Car Camping Theaters” and...
| James choi
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

A romantic comedy that follows Go Eun-sae (Ha-young), a prosecutor with amnesia, and Jang Tae-ha (Jeong Hae-in), a boxing coach who insists he is her boyfriend, as they move in and live together.
A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).
| Joo Seong-cheol
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
| Joo Seong-cheol