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'Hanil King Concert' reexamines an all-time top Japanese star from the 1980s; meets Korean fans with a solo concert on the 27th next month.

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.

The Korea Film Archive (Director Mo Eun-young) will hold a new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉 at the Korea Film Museum starting May 8.

“I’m going to turn the world upside down. I’m going to be fantastic. I’ll dig in deeply and keep digging. I’ll surpass what the greatest artists have accomplished.”

〈Carol〉 〈Portrait of a Burning Woman〉 〈Monster〉 and other major works have newly added their names to the Queer Palm lineup, a distinguished line of LGBTQIA+ films that have been showcased at Cannes.

Starting today (the 29th), the film opens in theaters worldwide for the very first time and meets Korean audiences. It unveils three must-see highlights to build even more anticipation.

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.

ABT Studio Company’s first in-person performance in Korea. Three Korean dancers from the ABT Studio Company—whom Director Radetsky praised highly—make a special appearance.

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.