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‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

K-Arts short 'Tropic' stuns North America festival circuit, wins top cinematography at Fantasia

At the 30th Fantasia International Film Festival, it takes the Short Film category’s 'Best Cinematography' award, with K-Arts AT Lab and VA Corporation winning a contest
Korea National University of Arts (hereafter, K-Arts) has proved its strength in convergence arts at North America’s biggest genre film festival, drawing overwhelming attention. The short film 'Tropic', produced by the K-Arts Convergence Arts Center Arc & Technology Lab , made headlines at the 30th...
| James choi
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam: Tony Leung Special Exhibition] Tony Leung’s Version of ‘Color, Cain’ That’s Almost Nothing Like the Original ①

Orfeo Hannam’s ‘Tony Leung Special Exhibition’ wraps up with a screening of 〈Color, Cain〉 on Aug. 1.
This spring, Tony Leung visited South Korea. After all this time, it’s been 18 years since the first European foray of Leung—who is now past his 60th birthday—came to Seoul to promote director Ildikó Enyedi’s 〈〈Friend of Silence〉〉, the director’s first film in which Leung stars, and to promote his...
| Joo Seong-cheol
Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

Tsai Ming-liang’s “Love in a Time of Madness” Returns in 4K… Venice’s Top Award Legend Re-Releases Next Month

The Taiwan New Wave signature film opens in 4K remastering on July 12 next month, with renewed attention on its artistic achievements, including a three-award sweep at the Golden Horse Awards
A Taiwan New Wave masterpiece that shines with Venice’s top prize returns next month on July 12 in 4K A legendary masterpiece that reshaped the trajectory of Taiwanese cinema comes back to the screen in stunning resolution.
| James choi
Elon Musk to Make “Odyssey” Himself With AI, Launches Sharp Attacks on Nolan Over Casting Black Actors

Elon Musk to Make “Odyssey” Himself With AI, Launches Sharp Attacks on Nolan Over Casting Black Actors

He says he will use his company’s AI, “GrokImagine,” to produce a feature film by the end of the year, while Hollywood directors hit back, saying it has no artistic value
Musk’s U-Turn: Nails Nolan’s “Odyssey” With a Direct Shot—Unveils a 3-Minute AI Film Racism controversy raised over casting Black Helen—Musk previews feature-length “GrokImagine” production by year’s end “Hollywood titan” Musk takes direct aim at Nolan, declaring his “AI film” bid “Elon Musk”, the...
| James choi