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Search results for "Lee Ru-da"

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy”The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

A rival setup of piano prodigies from an arts high school background. Song Kang’s comeback project and Lee Jun-young’s last work before enlisting
Fate of two prodigies crossing on the keys, tvN’s new weekend drama 'For Hands' makes a heavy entranceOn the screen, classic melodies and a thick wave of youthful pathos rush in. tvN’s eagerly anticipated new weekend drama 'For Hands' will home in on viewers’ living rooms at 9:10 p. m.
| James choi
Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

“Lee Sang-jun Show,” which drew 18,000 people last year This year, the show will hold a massive world tour across 17 cities in South Korea and 12 cities overseas
A Cross-Border Challenge From K-Comedy—Aiming Globally With Just One MicrophoneComedian “Lee Sang-jun” grabbed a single microphone and launched a bold debut meant to shake up the global comedy market.On the 2nd, MBC C&I officially announced that it will begin in earnest a massive standup comedy...
| James choi
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romanceLast year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

Source Music applies a zero-tolerance policy to malicious content and deepfake crimes, saying, “There is absolutely no intention to reach a settlement.”
A Zero-Tolerance Stance, a Ruthless Blow Without Leniency. . . Source Music Steps In to Protect Artists’ Personal RightsIn the face of malicious digital crime that digs into the glamorous side of global K-pop, LE SSERAFIM has finally drawn its zero-tolerance sword.
| James choi