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Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.

Comedy film ‘The Taste of Prison,’ which depicts a fun food reformation story in which a star chef, suddenly thrown into rock bottom and assigned to work in a prison kitchen, and inmates awaken their souls by making dishes with recipes and ingredients beyond imagination has confirmed the casting of...

‘Gunfire in August 1974’ Returns to the Screen With a Hidden Side of History—and Praise on a Global Stage One of the most shocking mysteries in modern South Korean history comes to the global stage to reveal the truth first.

“A New Era of Joseon Wuxia,” a bloody struggle of nine swordsmen heading for Tsushima Lee Byung-hun, a pillar of Chungmuro, and Go Youn-jung, who has solidified herself as an overwhelming top star, meet in the Joseon-era wuxia action epic “Nambal.

The film 〈Nambal〉, following Lee Byung-hun, has confirmed Go Yoon-jung’s casting, adding weight to the lineup. 〈Nambal〉 is a hardboiled martial-arts action set in the early Joseon period in which nine swordsmen—each with differing abilities and ranks—move toward Tsushima to rescue captives who have...

The film 〈The Assassins〉 has received an official invitation to the gala presentation section of the 51st Toronto International Film Festival, drawing attention even before its release. The film 〈The Assassins〉 has been officially invited to the gala presentation section of the 51st Toronto...

Coupang Play released character stills of Kim Hye-soo and Kim Ji-hoon on July 7 ahead of the July 31 premiere of its original series 《Adultery Isn't the Problem Now》, directed by Lee Chang-hee and written by Jung Eun-kyung and Park Su-rin.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.