Find your next favorite work.

Search results for "I Can't Help It"

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

Interview ①: Pyo Ji-hoon on 〈True Education〉: 'I'm Not Like Bong Geun-dae; I Speak Up When I See Students Smoking'

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Director Kim No-eun said the show’s edge lies in “laughter at awkward moves, alongside ‘real-life empathy’ that doesn’t feel like it happened to someone else.”
Netflix variety show 〈Better Late Than Single〉 Season 2 (hereafter, “Better Late Than Single Season 2”) unveiled differentiators set to deliver unpredictable excitement. # Here comes the “national matchmaker”? A viewer-overwhelming, hype-inducing relationship reality that turns “advice mode” into...
59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

The 59 hours of rare video and voice found by director Baz Luhrmann. With “EPiC,” opening July 1, the legendary stage of the “King of Rock ’n’ Roll” returns once again.
A body turned myth, a massive pop-culture ‘epic’ awakens Under the dazzling lights of Las Vegas, the United States, there is a man who throws himself into the roar. In the fleeting moment when sweat scatters through the air, the crowd’s frenzy feels less like simple cheering and more like a...
Jin Sun-gyu, Gong Myung, Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee, Jeon So-min—‘Husbands’ Production Press Conference!

Jin Sun-gyu, Gong Myung, Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee, Jeon So-min—‘Husbands’ Production Press Conference!

A family action comedy that blends a thrilling action with a situation comedy built on cooperation between an ex-husband and a current husband.
A comedy-action film depicting an unpredictable rescue operation planned by an ex-husband and a current husband who end up joining forces to save a wife who is kidnapped by a criminal organization—〈_BRACKET_Husbands_ _RANGLE_BRACKET_〉—wrapped up a warm-toned production press conference ahead of its...
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.