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Park Ji-hyun on Eom Tae-goo's boxing in 'Wild Thing': 'Should I Have Done Ballet Too?'

Park Ji-hyun on Eom Tae-goo's boxing in 'Wild Thing': 'Should I Have Done Ballet Too?'

"I tried to match the choreography and staging as closely as I could, but watching it back I thought, 'I should have let myself get more into it,' which is disappointing"
Actor Park Ji-hyun shared her thoughts on taking on the role of an idol singer. Lead actor Park Ji-hyun of 〈Wild Thing〉, which opens June 3, met with CinePlay in Seoul's Jongno District on the afternoon of May 26 and spoke about everything from preparing for the film to her thoughts on the project.
‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

〈Colony〉 director Yeon Sang-ho, who directed the film, shared a casting anecdote involving Gu Kyo-hwan.During an on-site roundtable interview in a location in Jongno-gu, Seoul, on May 26, director Yeon Sang-ho talked about Gu Kyo-hwan, the actor with whom he has already collaborated for a fourth...
[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

[Interview] The Boldest, Most Unconventional Attempt of His Career, 'Wild Sing' Kang Dong-won②

“My 'headspin'? I want to be the best actor in the world. That's all.”
▶Actor Kang Dong-won's interview on 〈Wild Thing〉 continues from Part 1. 〈Wild Sing〉's Hyun-woo sees the 'headspin' as the symbol of a dream he can never give up; if Kang Dong-won has a dream like that, what is it. I just want to be the best actor in the world; simply put, that's all there is.
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
'Wild Thing' Kang Dong-won: 'My goal was to make it funny by being extremely good'

'Wild Thing' Kang Dong-won: 'My goal was to make it funny by being extremely good'

〈Wild Thing〉 in which he gives a standout performance as 'Hyun-woo,' the leader and dance machine of 'Triangle'
Actor Kang Dong-won spoke about the intense preparation process for his role as a 'dance machine'.Leading actor Kang Dong-won of the film 〈Wild Thing〉, which opens on June 3, met with Cineplay on the afternoon of the 19th at a location in Jongno-gu, Seoul, and shared everything from how he prepared...
'Wild Sing' Kang Dong-won Says a Close Older Friend Watched the Film and Texted, 'Are You Short of Money These Days?'

'Wild Sing' Kang Dong-won Says a Close Older Friend Watched the Film and Texted, 'Are You Short of Money These Days?'

I thought that reaction would come from the first time I read the script, and I felt this would be the most surprising of the films I've done. Isn't it a pleasant kind of betrayal?
Actor Kang Dong-won spoke about his impressions after taking on a bold role.Kang Dong-won, the lead actor of the film 〈Wild Sing〉, which opens on June 3, met with Cineplay on the afternoon of the 19th at a location in Jongno-gu, Seoul, and opened up about everything from how he prepared for the...
[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

[Interview] “From ‘Adult Gimjangha’ to ‘Namtaeryeong,’ the Plaza Evolves.” Director Hyunji Kim ②

That “long, long night” with a felt temperature of minus 20°C became, somehow, the “brightest night.” “This cute and spicy struggle—that’s the core of Namtaeryeong!”
​▶ 〈Namtaeryeong〉 The interview with Director Hyunji Kim continues from Part 1. ​I think you must have been thinking hard about the title. I also feel that the title 〈Namtaeryeong〉 has a tone that isn’t so different from 〈Adult Gimjangha〉.
[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

[Interview] “In the Flow of the December 3 Coup Attempt, the Most Decisive Moment Is Namtaeryeong.” Director Kim Hyun-ji of ‘Namtaeryeong’ ①

Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs (JeonNong), pushing forward to stand up to a coup in the guise of “martial,” were blocked by police at Namtaeryeong in Seocho-gu, Seoul.
Since that unbelievable day—December 3, 2024, when the president declared a state of emergency—another day continued with nights full of uncertainty and anxiety. Seventeen tractors belonging to the Korean National Federation of Farmers’ Clubs , advancing to confront the president’s coup in the...
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

After her younger sister Sora (Seung-hwa Kim), who has a criminal record for murder, is released from prison, the day-to-day life of star pet dog trainer Ha-young (Seung-yoon Choi) begins to shake.
A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.