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Search results for "O Gi-hwan"

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
| James choi
[Photo&] The world that connects “The Heirs of the Chaebol”… Lee Jun-young makes a startling transformation with “Rookie HR Chairman,” at the production press event

[Photo&] The world that connects “The Heirs of the Chaebol”… Lee Jun-young makes a startling transformation with “Rookie HR Chairman,” at the production press event

A meeting between the “The Youngest Son of a Chaebol” universe and creator Kim Soon-ok. A 20-something man carrying the soul of a 70-something chaebol chairman—Lee Jun-young’s daring two-roles-in-one performance is set to be revealed
A 20-something youth that swallowed the soul of a 70-something chaebol, 'Lee Jun-young'’s audacious provocation Actor 'Lee Jun-young' is set to spark a massive shake-up in living-room viewing with an unprecedented two roles played by one person.
| James choi
‘Gold Land’ Gunshot Hits Park Bo-young! Shocking Final Twist Still Ramping Up to the End

‘Gold Land’ Gunshot Hits Park Bo-young! Shocking Final Twist Still Ramping Up to the End

All-out last stand turns to disaster—Park Bo-young’s descent into darkness and a shocking ending that puts a period on a journey driven by desire!
At last, the final chapter of desire surrounding the 150 billion won gold bars was revealed. In the last episodes 9 to 10, released last Wednesday, the relentless clash of desire, betrayal, and the desperate fights of characters who turned their sights on one another to survive swept across the...
| Joo Seong-cheol
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
| Joo Seong-cheol