LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "ONE MORE TIME"

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Held at the Mitsui Hall in Nihonbashi, Tokyo, with a top-tier local band session including producer One OK Rock From original hit songs to a popular K-drama OST medley, plus a special J-pop cover stage, the set list was packed She actively communicated with local fans in Japanese she prepared herself, sending a clear signal of her successful push into the global market
Kwon Jin-ah’s debut Japan solo concert showcased her live capabilities on the local stage and opened a new chapter for her global activities.Live synergy forged with Japan’s top-tier local band session Kwon Jin-ah held her first solo show in Japan, “2026 Kwon Jin-ah First Concert in Japan,” at...
| Seongchan Eol
[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

‘Buminla 2026’ headliner takes the stage after moving the venue to the Culture and Arts Reserve Base. A live set that wraps in new music and hit songs brings healing to spring nights.
A ‘Paradise of Rumor’ that overtook the city at night — Akmu’s returnAn enormous oasis bearing the name ‘Akmu ’ unfolded across the harsh concrete. On the 31st, in Seoul’s Mapo District, ‘Culture and Arts Reserve Base’ was transformed into a musical utopia created by the sibling duo.
| James choi
Takuya Kimura confirms first Korea concert after debut—set for September at Incheon Inspire Arena

Takuya Kimura confirms first Korea concert after debut—set for September at Incheon Inspire Arena

After switching to a new label, he releases his first studio album of the summer, “Checkpoint,” and kicks off an Asia tour He is set to meet Korean fans for the first time at Incheon Inspire Arena on Sept. 26—his first overseas live show as a solo act “Looking forward to connecting with international audiences”—returning to an overseas stage for the first time in about 15 years since his SMAP Beijing performance
Japanese singer and actor Takuya Kimura will hold his first Korea concert after his debut.New album release and first solo Asia tour According to Japanese local media and his agency on the 29th, Takuya Kimura will release his first studio album of the summer, ‘Checkpoint‘, and set out on an...
| Seongchan Eol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol