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Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Invited to TIFF's official industry program at the 51st Toronto International Film Festival
Yeon Sang-ho, whose film 〈PARADISE LOST〉 has been invited to the Special Presentation section of the 51st Toronto International Film Festival, will take part in a TIFF Summit: Dialogues conversation with Japanese filmmaker Hirokazu Kore-eda at 4 p. m. local time on Sept.
| Kim Ji-yeon
31st Busan International Film Festival Unveils Official Poster for ‘Gun-sang (群像)’ Motif

31st Busan International Film Festival Unveils Official Poster for ‘Gun-sang (群像)’ Motif

As countless audience stories come together into a single scene… Choi Sun-dae, art director, plans and designs the poster Opening in grand style on Oct. 6, with actress Kim Min-ha as the sole host and Yang Qiu-kyung set to be announced as the winner of the 2026 Asian Filmmaker Award
The Busan International Film Festival, preparing for its opening, has unveiled this year’s poster. Now in its 31st edition, the Busan International Film Festival revealed the poster for the 31st Busan International Film Festival on Aug. 7.
| Seongchan Eol
'31st Busan International Film Festival' Reveals Official Poster for the First Time... Who Will Steer the Festival in October

'31st Busan International Film Festival' Reveals Official Poster for the First Time... Who Will Steer the Festival in October

With the festival set to open Oct. 6, BIFF unveils an official poster based on the concept of '群像,' featuring art director Choi Soondae
A sneak peek at cinema heaven for 10 days—beyond the screen Asia’s biggest film festival '31st Busan International Film Festival' has unveiled, ahead of its October opening, the official poster that will serve as the festival’s face.
| James choi
K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

K- ZOMBIES THAT TAKE OVER NEW YORK SCREENS AND A HEAVY SENSE OF THE TIMES: 25th New York Asian Film Festival Special Program on Korean Films

A total of 23 films are set to screen in a special showcase, including "Gunchae," a new zombie film starring and featuring Jeon Ji-hyun and directed by Yeon Sang-ho
The unstoppable rush of K-movies cuts straight through the heart of New York. The New York Korean Cultural Center, in partnership with Film at Lincoln Center and others, will stage an unprecedented showing of 'The 25th New York Asian Film Festival: Special Program on Korean Films' from Oct.
| James choi
‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

‘Exhuma’ and ‘King Sangeunam’ box-office powerhouse Showbox moves into the 70M-user ReelShort and the short-form market

A joint production venture with ReelShort, a global platform boasting 70 million monthly active users… poised to take on the short-form space worldwide
A longtime tentpole heavyweight, 'Showbox', targets global short-form dominance with its 'ReelShort' audience of 70 million The investment and distribution company 'Showbox', which has built a track record of blockbuster K-content, has signaled a major shift in the global video content market.
| James choi
[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark “Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
| James choi
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie Genre The hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
| Seongchan Eol