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Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

A total of 246 films from 59 countries, including 14 competition entries, have been invited; festival will open on a Tuesday for the first time to expand viewing opportunities
95 world premieres . . . An unrivaled scale for Asia's film hubThe 31st Busan International Film Festival, one of Asia's most prestigious film events, will open next month on a Tuesday with a record lineup of 315 films.
Hirokazu Kore-eda's 'Look Back' Set for Oct. 8 Release

Hirokazu Kore-eda's 'Look Back' Set for Oct. 8 Release

First live-action film adaptation of any work by Tatsuki Fujimoto; invited to compete at the 83rd Venice International Film Festival
Hirokazu Kore-eda’s new film 〈Look Back〉 will open Oct. 8. Megabox JoongAng Co. , Ltd. , which is importing and distributing the film, said it will open Oct. 8 and has been invited to compete at the 83rd Venice International Film Festival.
Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Invited to TIFF's official industry program at the 51st Toronto International Film Festival
Yeon Sang-ho, whose film 〈PARADISE LOST〉 has been invited to the Special Presentation section of the 51st Toronto International Film Festival, will take part in a TIFF Summit: Dialogues conversation with Japanese filmmaker Hirokazu Kore-eda at 4 p. m. local time on Sept.
Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

The two will attend TIFF Summit together on Sept. 14 to discuss IP adaptations and the global expansion of Asian cinema; ‘Paradise Lost’ and ‘Look Back’ are set for October releases in South Korea.
Two of the leading directors from South Korea and Japan will meet at North America’s largest film festival. Director 'Yeon Sang-ho', whose new film 'Paradise Lost' has been selected for the Special Presentations section of the 51st 'Toronto International Film Festival' for a second consecutive...
Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Lee Chang-dong’s Netflix New Film “A Possible Love”… Invited to the Venice Film Festival Competition for the First Time in 24 Years, Battling for the Golden Lion

Jeon Do-yeon and Sol Kyung-gu star, marking a return to the competition 24 years after “Oasis”… in a lineup of 20 works including Hirokazu Kore-eda’s “Look Back”
A 24-year return as a master filmmaker’s gaze turns back to VeniceDirector Lee Chang-dong, an unrivaled master in Korea’s film industry, launches a grand journey for the Golden Lion after his new film “A Possible Love” received an official invitation to the competitive category of the 83rd Venice...
Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Live-action adaptation of Tatsuki Fujimoto’s acclaimed manga, starring Natsuki Deguchi and Aju Makita.
The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.
'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

The animation that thrilled audiences around the world with 20.4 billion yen in box office now carries that emotion to live action. A coming-of-age film that has drawn attention as celebrated filmmaker Hirokazu Kore-eda himself writes and directs.
A pen line of loss and growth, blooming beyond the master’s viewfinderA living legend in Japan’s film industry, 'Hirokazu Kore-eda' takes the reins of the live-action adaptation of 'Look Back', a global phenomenon.
[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

[Weekend Theater] Jun Ji-hyun’s “Swarm” Crushes the Competition with 5 Million Viewers in Sight… Wild Thing Takes No. 2

“Disclosure Day” slows its early opening-week explosive momentum and settles at No. 3 at the box office
An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...
A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibilityThe willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

A Great Failure: What Kore-eda Hirokazu Tries to Say in 'The Sheep in the Box' — Part 1

〈The Sheep in the Box〉 may be Kore-eda Hirokazu’s most ambitious film, but its reach exceeds its grasp. Revisiting his long-running interest in alternative-family narratives while returning to science fiction after 〈Air Doll〉 (2009), Kore-eda attempts to expand his themes beyond the human realm to...