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Search results for "Choo A-young's Music Box"

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
| Chua-young
[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

Film music hooks me first. It often reveals emotions that images and dialogue alone cannot fully carry, and it can open a window onto a filmmaker's hidden intentions. For me, understanding film music has been one path to understanding the film itself.
| Chua-young
In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

I'm captivated by film music. Music can sometimes reveal a character's intimate emotions that images and dialogue alone cannot convey. It can also open a window onto a creator's hidden intent. For me, understanding a film through its music is one way of reaching the movie itself.
| Chua-young
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
| Chua-young
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

I am captivated by music in film. Music often conveys a character's intimate emotions that images and dialogue alone cannot fully express. It can be a window into a creator's hidden intent. For me, understanding film music is one path to understanding the film itself.
| Chua-young
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.
We live in an era where influencers rise and fall every day. The dramatic advancement of social media and live-streaming platforms has brought us to a point where audiences can choose the stars they want, rather than being handed manufactured celebrities.
| Seongchan Eol