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Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Hong Kong Retro Movie Tour ① John Woo’s “A Better Tomorrow” and a History Lesson at Mei Ho House, San Shui Po

Built in 1953 after the “Sekkipmei Fire,” the sprawling public housing complex known as “Mei Ho House” became the stage for 〈A Better Tomorrow〉.
Cineplay and House Travel teamed up for a Hong Kong movie tour, their fifth trip. The core theme of this tour was the meeting of Hong Kong’s past and present through film. From John Woo’s 〈A Better Tomorrow〉 (1990), set in 1960s Hong Kong and starring Tony Leung Chiu-wai, to 〈The King of Comedy〉...
‘Typhoon’ Sets Cast With Koo Kyo-hwan, Han Ji-min, Oh Jung-se, Han Sun-hwa, Kim Eung-soo, Oh Min-ae, Kim Yo-han and Choi Ji-soo

‘Typhoon’ Sets Cast With Koo Kyo-hwan, Han Ji-min, Oh Jung-se, Han Sun-hwa, Kim Eung-soo, Oh Min-ae, Kim Yo-han and Choi Ji-soo

It is a disaster-escape comedy about Jin-mo (Koo Kyo-hwan) and Jae-yi (Han Ji-min), who have decided to break up, encountering a super typhoon at a relative’s wedding in their hometown.
The film 〈Typhoon〉 has finalized its upbeat cast, led by Koo Kyo-hwan, Han Ji-min, Oh Jung-se, Han Sun-hwa, Kim Eung-soo, Oh Min-ae, Kim Yo-han and Choi Ji-soo. 〈Typhoon〉 is a disaster-escape comedy about Jin-mo (Koo Kyo-hwan) and Jae-yi (Han Ji-min), who have decided to break up, encountering a...
Anne Hathaway’s 2026: Five Releases, One Remarkable Year

Anne Hathaway’s 2026: Five Releases, One Remarkable Year

Many actors lit up theaters this year, but if you had to pick one to symbolize 2026, Anne Hathaway would be a strong candidate. Hathaway has appeared in five films this year (by domestic release date), starting with 〈The Devil Wears Prada 2〉.
Why TVING Put Dating in the Bleachers: Lee Gi-yeon and the Hosts of 〈Wonsu-neun Oeya-seok-eseo♥〉

Why TVING Put Dating in the Bleachers: Lee Gi-yeon and the Hosts of 〈Wonsu-neun Oeya-seok-eseo♥〉

Baseball and dating, two of South Korea’s biggest obsessions right now, have been brought together. The genre of Korean dating shows — which has evolved from remote islands to unfamiliar travel spots, from sibling duets to programs pairing people who have never dated before — has reached another...
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.
[New Film] Fell for a House-Thief? Joo Bong Ki and Ae Hwa Jung Romance ‘Lovers of an Empty House’ Opens on the 12th

[New Film] Fell for a House-Thief? Joo Bong Ki and Ae Hwa Jung Romance ‘Lovers of an Empty House’ Opens on the 12th

A prickly grandmother and a rule-bound petty thief meet in a healing movie set against rural North Jeolla countryside
The warmth that seeps into ‘Empty House’—a strange romance that steals the solitude of old age What ending would you face if you fell in love with a thief who invades your sanctuary? The film ‘Lovers of an Empty House’, which depicts an unusual connection between a house burglar who roams a rural...
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.