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Search results for "The Woman Who Came Back"

Korean Film Archive Marks Hong Sang-soo Director’s Debut 30th Anniversary with Curated Exhibition “Hong Sang-soo: A Retrospective of All Works—Introduction”

Korean Film Archive Marks Hong Sang-soo Director’s Debut 30th Anniversary with Curated Exhibition “Hong Sang-soo: A Retrospective of All Works—Introduction”

From May 2 to June 13, the “KOFA Cinematheque” at Sangam-dong, Mapo-gu, Seoul will screen all 34 films by director Hong Sang-soo. Featuring alternating chronological and reverse-chronological screenings from his debut works to his newest releases, viewers can experience the director’s signature “variations” aesthetics. Rich supporting events include a talk with the director of the Harvard Film Archive, a cinematography master class, and conversations with the audience.
The Korean Film Archive has announced a retrospective of all works by director Hong Sang-soo.The Korean Film Archive said it will hold a special exhibition spotlighting director Hong Sang-soo’s debut 30th anniversary, titled “Hong Sang-soo: A Retrospective of All Works—Introduction,” at the KOFA...
| Seongchan Eol
Bumjeop Has Turned Everything Upside Down. 'World of SWF' Mega Crew Mission Review

Bumjeop Has Turned Everything Upside Down. 'World of SWF' Mega Crew Mission Review

How can we wait another week? To catch Bumjeop's victory (?) live, sighs continued from those who awaited the 10 PM broadcast of 'World of Street Woman Fighter' on June 24. This was because the reaction to the Mnet 'World of Street Woman Fighter' (hereafter 'World of SWF') Mega Crew Mission video,...
| Joo Seong-cheol
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정
[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.
| Kim Ji-yeon
Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

Kim Na-hee, Critic: ‘Vivaldi and Me’ ① The Moment Beings You Only Ever Hear About Start to Appear in Spring

The original title is 《Primavera》, which means “spring” in Italian. It is the name of the first concerto among Vivaldi’s 《The Four Seasons》, and another word for liberation.
The original title of the film 〈Vivaldi and Me〉 is 《Primavera》, which means “spring” in Italian. It is also the name of the first concerto among Vivaldi’s 《The Four Seasons》, but in this context, spring is another word for liberation.
| Cineplay
Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Critic Kim Na-hee’s “Vivaldi and Me” ② The Moment When Beings We Had Only Heard Appear

Spring isn’t just the season when flowers bloom. It’s the moment when the beings we could only hear finally begin to be seen.
For a brief moment, we may feel like we understand or truly know the other person—so convinced that we believe it. Communication through music is like that. In the deepest layer of their relationship, we see it in Vivaldi’s confession—when, in the middle of the night, he comes first to Cecilia’s...
| Cineplay
Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

Everything About Meryl Streep ② The Perfect Transformation: “The Iron Lady,” “August: Osage County,” “Florence”

“I’ve done quite a few roles of real-life people, but I’ve never found it interesting to portray a span of more than 40 years the way I did as you know, 〈The Iron Lady〉. ”
〈The Iron Lady〉What It’s Like to Play a Controversial Female PoliticianIn that it centers on Margaret Thatcher, a controversial politician, 〈The Iron Lady〉(2011) essentially carries the big meaning that “Meryl Streep played Margaret Thatcher. ” For some viewers, that may be all there is to it.
| Joo Seong-cheol
[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.
How did they find someone like this. I wondered right away, thinking they might have literally brought in some unemployed neighborhood freeloader crashing at a friend’s place. The moment Jo Beom-gyu appears in 〈Jjanggu〉, bouncing his leg flippantly, that thought crossed my mind.
| Kim Ji-yeon
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol