Search results for "What I Decided to Do Was Die"

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

Casting confirmed for the same-titled webtoon adaptation 'What I Decided to Do Was Die'… 'Queen of Tears' director Kim Hee-won co-directs
A three-year reunion amid the web of fate… 'Time Loop' brings together a winning pair for box-office and audience appealLee Chae-min and Roh Yoon-seo, who stirred up fresh buzz with audiences earlier, are returning to the home-viewing scene with a fated romance after three years.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
Actor Nam Bora Welcomes Son on the 15th With Emergency C-Section After Low Amniotic Fluid: “I’ll Raise Him Beautifully”

Actor Nam Bora Welcomes Son on the 15th With Emergency C-Section After Low Amniotic Fluid: “I’ll Raise Him Beautifully”

At a final checkup while preparing for a natural birth, she was diagnosed with oligohydramnios—sharing details of the rushed emergency surgery Her son was born at 8:24 p.m. on the 15th, and she first shared a photo of her baby nickname “Kong-al-i”; “Like a second act of life, he’s already adapting calmly” After marrying a peer-age businessman in May last year, the news of her joyous first child has been met with congratulations
Nam Bora, 37, the eldest daughter in her “13-sibling” family and an actress who has won hearts with her warm acting, has finally become a mother.■ “I Wanted a Natural Birth, But…” Confesses Emergency Surgery After Low Amniotic Fluid On July 17, actress Nam Bora smiled at her fans after sharing on...
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Held at the Mitsui Hall in Nihonbashi, Tokyo, with a top-tier local band session including producer One OK Rock From original hit songs to a popular K-drama OST medley, plus a special J-pop cover stage, the set list was packed She actively communicated with local fans in Japanese she prepared herself, sending a clear signal of her successful push into the global market
Kwon Jin-ah’s debut Japan solo concert showcased her live capabilities on the local stage and opened a new chapter for her global activities.Live synergy forged with Japan’s top-tier local band session Kwon Jin-ah held her first solo show in Japan, “2026 Kwon Jin-ah First Concert in Japan,” at...
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
Jeff Probst’s “Survivor 50” Live Broadcast Disaster: the Biggest-Ever “Spoiler” Moment

Jeff Probst’s “Survivor 50” Live Broadcast Disaster: the Biggest-Ever “Spoiler” Moment

Ahead of the Final: “Rizo” is called out as the mission loser just before the fire-starting challenge… heckling and silence from the audience After the ad break, Probst responds playfully: “The season’s final twist… a twist that lets you peek into the future” The final winner in the biggest-ever broadcast blunder is “Aubry Bracco”… takes home a $2 million prize
Jeff Probst (Jeff Probst · 64), the iconic host of the long-running U. S. popular survival reality show “Survivor,” pulled off an unprecedented live broadcast disaster by prematurely revealing—during the live finale stage—the key eliminated contestant on the path to winning. ■ The thrill of live TV.