LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "talk show ending"

"Returning as a Mom"... The Kelly Clarkson Show Announces End After 7 Years 'Tears'

In a statement on the 2nd, "Season 7 will be the last... moving on to the next chapter of life for the kids" After the death of ex-husband Brandon Blackstock from cancer, she decided that "family comes first". Leaving behind 24 Emmy Awards and the 'Kellyoke' phenomenon, she departs while receiving applause.
America's "national little sister" turned "queen of talk shows" Kelly Clarkson is putting down the microphone. After the tragic death of her ex-husband, she chose life as a mother of two over broadcasting.According to NBCUniversal and foreign media on the 3rd , Kelly Clarkson announced in an...
| Yangsimoh
Where You’ve Seen the Familiar Faces in ‘Spider-Man: Brand New Day’ Before

Where You’ve Seen the Familiar Faces in ‘Spider-Man: Brand New Day’ Before

Spider-Man: Brand New Day has already grossed $900 million worldwide. 〈Spider-Man: Brand New Day〉 is sweeping the globe. In South Korea, after opening on July 29, it surpassed 4 million moviegoers in less than a week (as of an Aug. 4 tally).
| Seongchan Eol
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Joo Seong-cheol
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
| Kim Ji-yeon
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

Interview: Jin Gi-ju says corporal punishment is 'a very dangerous act.'

▶ 〈Teach You a Lesson〉 Jin Gi-ju interview continues from Part 1. What were your real school days like. They were just ordinary. I would cram for tests, I really wanted to hang out every day but studied because I had to, and I loved club activities. Did a teacher ever actually hit you.
| Chua-young