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Search results for "Japanese movies"

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
Japanese Veteran Actor Sho Kasamatsu Signs Contract With Korea’s Star Platinum, Shares Handwritten Korean Note

Japanese Veteran Actor Sho Kasamatsu Signs Contract With Korea’s Star Platinum, Shares Handwritten Korean Note

Sho Kasamatsu, who made his mark with roles in the film “Good News” and the drama “Taxi Driver 3: Model,” sends a clear signal he will actively work in Korea With strong Korean skills as well, he gets love calls from the industry…showing deep affection for Korean content through a handwritten note he wrote himself News also highlights casting for director Takashi Miike’s Hollywood project, boosting expectations for his global push
Sho Kasamatsu has teamed up with Korean management and previewed even more intense activities. Korean management company Star Platinum announced on June 26 that it has signed a contract with Japanese actor Sho Kasamatsu.
| Seongchan Eol
Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

A crew of 10 and a total budget of 26 million yen—so low it’s almost unprecedented—has pushed box-office revenue past 1 billion yen.
〈Samurai Timeslipper〉 depicts the journey of an Edo-era samurai who is ‘time-slipped’ into a movie set and ends up working as a beheading specialist actor As the film was released in Japan, starting out in just one theater, word of mouth spread and showings expanded to about 380 theaters across the...
| Joo Seong-cheol
Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.
| Joo Seong-cheol
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

[Chu Sung-cheol’s Lockers] Who Spat on Leslie Cheung in “Farewell My Concubine”?

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.
A must-do itinerary on a trip to Hong Kong is Victoria Peak on Hong Kong Island. When you take the Peak Tram up, you’re treated to a stunning view: Hong Kong Island’s skyline in the foreground, with the Kowloon Peninsula stretching out far in the distance.
| Joo Seong-cheol
Director of 22 ‘Doraemon’ Films, Tsutomu Shibayama, Passes Away at the Age of 84

Director of 22 ‘Doraemon’ Films, Tsutomu Shibayama, Passes Away at the Age of 84

From 1983's 'Nobita's Underwater Castle' to 2004's 'Nobita's Great Adventure in the Space-Time', 22 consecutive years of directing with his directorial work on the TV series 'Doraemon'... Produced national anime like 'Chibi Maruko-chan' and 'Nintama Rantarō' Production company Ajiyado officially announced on the 17th, “He passed away from lung cancer on the 6th”
Legend of Japanese animation Tsutomu Shibayama has passed away. On the 17th, the animation production company Ajiyado, founded by the deceased director, officially announced that he had died from lung cancer on March 6th. He was 84 years old.
| Yangsimoh