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Search results for "The Things We Didn't Say"

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

Interview: Han So-hee on Seon-woo’s Shadow and Grit in 〈The Intern〉, Part 1

In 〈The Intern〉, Han So-hee plays Seon-woo, a fast-rising fashion CEO whose drive masks deep uncertainty. The film, which opens on the 16th, is a character drama about a woman who, amid instability, gradually finds her own steadiness.
| Kim Ji-yeon
[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

[Interview] In 〈Intern〉, Choi Min-sik’s moving wrinkles reflect 46 years in the making: Part 2

※The interview with 〈Intern〉 actor Choi Min-sik continues from Part 1. In the film's second half, Gi-ho’s shout of “Snap out of it. ” at a shaken Seon-woo felt like the highlight. How did you approach acting that scene.
| Kim Ji-yeon
From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

From Hwatu to Poker, From Korea to Global Stakes: First Press-Screening Review of ‘Tazza: Belzebub’s Song’ and Highlights From the Press Conference

A symbol of Korean adults-only entertainment cinema, the 〈Tazza〉 series returns for its final chapter, 〈Tazza: Belzebub's Song〉 (hereafter 〈Tazza 4〉), which opens on Sept. 23. The film trades hwatu for poker and moves much of its action from Korea to the global gambling circuit.
| Kim Ji-yeon
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
Beloved in Korea, Christopher Nolan Finally Arrives With 'Odyssey' Stars Matt Damon, Charlize Theron and Emma Thomas

Beloved in Korea, Christopher Nolan Finally Arrives With 'Odyssey' Stars Matt Damon, Charlize Theron and Emma Thomas

Christopher Nolan visited South Korea for the first time on Aug. 3, appearing at the Four Seasons Hotel in Jongno-gu, Seoul with producer Emma Thomas and actors Matt Damon and Charlize Theron ahead of the Aug. 5 release of 〈Odyssey〉.
| Seongchan Eol
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

[Interview] “It’s a bigger sin not to release this video.” How should it have been handled? Director Tomoaki Fujino ①

When it was released in Japan, the film posed pointed questions about families with disabled relatives and issues of caregiving, and interest continues as it opened in South Korea on the 29th of last month.
There’s a film that has sparked buzz on every front, from the source material—an older sister’s schizophrenia and the parents’ confinement of her—to the production of a private documentary recorded by the family, and to the theater release format despite the absence of IPTV, VOD, OTT, and other...
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정