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Search results for "designer-director"

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
| Joo Seong-cheol
Kim Hyang-gi Becomes a Hairstylist in JTBC's 'Fly High, Butterfly' Teaser

Kim Hyang-gi Becomes a Hairstylist in JTBC's 'Fly High, Butterfly' Teaser

"The universe's first hairstylist drama" — Kim Hyang-gi, Choi Daniel and Oh Yoon-ah preview a human story set in a salon
JTBC released the first teaser for its new weekend drama Fly High, Butterfly, billing it as "the universe's first hairstylist drama. " The series is written by Park Yeon-seon and directed by Kim Da-ye and Kim Bo-gyeong.
| Kim Ji-yeon
'Insidious: They Crossed Over' Unveils Behind-the-Scenes Work Behind Its Most Terrifying Moments, From Double Teeth to Elise's Costume

'Insidious: They Crossed Over' Unveils Behind-the-Scenes Work Behind Its Most Terrifying Moments, From Double Teeth to Elise's Costume

The new installment in the popular 'Insidious' series, the film opened in South Korea on Aug. 20 and on Aug. 28 unveiled behind-the-scenes footage showing how scenes from the 'double teeth' sequence to series icon Elise's costume were created.
'Insidious: They Crossed Over' on Aug. 28 unveiled behind-the-scenes details showing the work that went into creating the film's most terrifying moments. The new installment in the popular 'Insidious' horror series, 'Insidious: They Crossed Over', depicts what happens when the malevolent beings...
| Seongchan Eol
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

Gun-woo (Yoo Hee-je), an unemployed young man who quit baseball and finds himself at a dead end, and Mina (Kim Se-won), a teenage girl who wanders after her mother’s death, unable to fit into her new surroundings.
⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.
| 이화정
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
| Joo Seong-cheol
The Assassins set for Sept. 23 release, eyes Chuseok box office

The Assassins set for Sept. 23 release, eyes Chuseok box office

〈The Assassins〉 follows the investigation into the suspicions and forces behind the Aug. 15, 1974, shooting of South Korea’s first lady that shocked the nation.
〈The Assassins〉, which has drawn early attention for director Hur Jin-ho’s meticulous direction and the powerhouse performances of leading South Korean actors including Yoo Hae-jin, Park Hae-il and Lee Min-ho, has announced a Sept. 23 release and is taking aim at theaters during the Chuseok holiday.
| Joo Seong-cheol
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
EBS Documentary Series

EBS Documentary Series "Witness of the Era"... From 91-year-old Shin Goo and 99-year-old Nora No to Son Suk-hee, Kim Yoon-a, and Lee Se-dol — 12 masters in a weighty spotlight

Premiering Aug. 2, the series shines a light on 12 icons of pop-culture. Behind-the-scenes stories include Yoo Hae-jin’s “Shin Goo Scholarship” anecdotes
The views of 12 people who span the era, tracing turning points in pop culture EBS presents the documentary series “Witness of the Era. ” On its Aug. 2 premiere, actor Shin Goo is in the spotlight. On the Sept. 9 second broadcast, it will spotlight Nora No, a living legend of Korean fashion.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol