Find your next favorite work.

Search results for "Independent Film Interview"

[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

※ This interview with 〈Possible Love〉 director Lee Chang-dong continues from Part 1. I imagine considerable effort went into casting the four actors: Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung. Are there any behind-the-scenes casting stories.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

[Film Festival] Picks from the 16th Seoul International PRIDE Film Festival, Part 2: ‘Asia Pride’ and ‘Special Pride’ Sections, ‘Korean Queer Film History’

『Korean Queer Film History 2022–2025』, documenting queer films that screened in Korea from 2022 to 2025 through criticism by five critics and interviews with five directors, will also be published.
※ Continued from the first article on picks from the 16th Seoul International PRIDE Film Festival. The Seoul International PRIDE Film Festival’s “Asia Pride” section is a chance to discover a diverse range of queer films made in Asia.
[Interview] “Even if it isn’t overwhelming, find music that’s your own”: Director Jung Da-won on “7 Days 7 People”

[Interview] “Even if it isn’t overwhelming, find music that’s your own”: Director Jung Da-won on “7 Days 7 People”

Jin-hwa (Lim Jin-hwa), leader of the indie band Hoa, is told by his girlfriend of seven years, Mirae (Seo Eun-soo), that she wants to break up. Then he starts meeting people.
We dream. We love like 〈Once〉, yearn with the desperation of 〈Begin Again〉, and hope like 〈La La Land〉. Whatever it is, your 20s are a time of hardship and brilliance when you spend them pursuing what you love. Because you have a dream.
Music Critic Kang Heon Dies at 64, Leaving Behind the Soundtrack of the Seo Taiji and Shin Hae-chul Era

Music Critic Kang Heon Dies at 64, Leaving Behind the Soundtrack of the Seo Taiji and Shin Hae-chul Era

A pioneer of 1990s pop music criticism and a practitioner of myeongrihak, he died on the 20th; he served as chairman of the Korea Arts & Culture Education Service
The study of destiny he pursued after standing at death's door, and an enduring legacy in Korean popular culture Kang Heon, chairman of the Korea Arts & Culture Education Service and a pop music critic who broadened the horizons of Korean popular music criticism, died on the 20th at the age of 64.
'Look Back' and Yuta Bando's Music of Nature's Cycle

'Look Back' and Yuta Bando's Music of Nature's Cycle

Choo A-young's Music Box
I get hooked on music in films. Music often reveals intimate emotions that images and dialogue alone cannot fully convey. It can serve as a window into a creator's hidden intentions. For me, understanding film music has been one route into the movie itself.
Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor placed that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
〈Assassins〉 has canceled all events tied to the Busan International Film Festival, which opens today, Oct. 6. The cancellations began with actor Lee Min-ho's absence from Actors' House, a program that brings actors together with audiences, and were followed by the cancellation of one stage greeting...
[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

A talk that approaches actors through deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors who inspire it.
It seems that Noh Jae-won’s potential continues to grow through his work. I’m curious what his past was like. Given his deeply introverted personality, I imagine he was never the type to put himself forward. That’s really true. I’m not good at putting myself forward, and I am shy.
[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

[Lee Hwa-jung’s Deep Talks] “Breaking Down the Line Between Good and Evil With Performances We’ve Never Seen Before” — A Conversation With Noh Jae-won, Actor in ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ①

A talk that approaches actors with the deep breathing of a detox. Film journalist Lee Hwa-jung meets the actors shaping the screen.
I had to meet Noh Jae-won. Trying to understand the landscape of today’s screen, OTT and television productions without meeting this actor would have felt like cheating. Just looking back over the past three years, his striking performances in the series 〈D. P.