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Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Invited to TIFF's official industry program at the 51st Toronto International Film Festival
Yeon Sang-ho, whose film 〈PARADISE LOST〉 has been invited to the Special Presentation section of the 51st Toronto International Film Festival, will take part in a TIFF Summit: Dialogues conversation with Japanese filmmaker Hirokazu Kore-eda at 4 p. m. local time on Sept.
| Kim Ji-yeon
[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.
| Kim Ji-yeon
Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Ahn Sung-ki films including 'Whale Hunting' to screen in Busan; why five master directors are reuniting

Jointly organized with the Korean Film Archive for the festival's Oct. 6 opening, the program will feature five master directors, including Lee Jang-ho and Bae Chang-ho, and a commemorative book
The brilliant career of a beloved national actor returns to the screen This year's 'Busan International Film Festival' is preparing a special showcase spotlighting the career of 'Ahn Sung-ki', a living legend of Korean cinema.
| James choi
“Peace Does Not Keep Silent”: DMZ International Documentary Film Festival to Screen 147 Films Starting Sept. 10

“Peace Does Not Keep Silent”: DMZ International Documentary Film Festival to Screen 147 Films Starting Sept. 10

Hwang Yun’s “Haje” will open the festival, followed by “Che Guevara”; Gyeonggi Province’s budget crisis prompts a scaled-back opening ceremony
DMZ Film Festival opens with “Haje,” as 147 documentaries from 52 countries issue a warning Lean Sept. 10 opening highlights peace and climate issues, with “Che Guevara” among the closing films A weighty record of what is disappearing asks what peace means The 18th DMZ International Documentary...
| James choi
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

A romantic comedy that follows Go Eun-sae (Ha-young), a prosecutor with amnesia, and Jang Tae-ha (Jeong Hae-in), a boxing coach who insists he is her boyfriend, as they move in and live together.
A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).
| Joo Seong-cheol
[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

[Interview] “Not releasing this video is a bigger sin.” What should we have done? Director Tomoaki Fujino ②

When her older sister develops symptoms of schizophrenia, her parents choose to put a lock on the front door instead of taking her to a hospital. Unable to look away, the younger brother picks up a camera and steps into that silence.
Because they could not obtain the family’s consent, ethical questions about the film’s release inevitably follow. ​ You asked a really important question. There are ethical issues, of course. In fact, we released it without getting permission or even understanding from any member of the family.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

One phrase immediately came to mind: Christopher Nolan has pushed past his own limits in 〈Odyssey〉, his adaptation of Homer’s 「The Odyssey」, which opens on Aug. 5. 「The Odyssey」 tells the story of King Odysseus’s return to his homeland of Ithaca after the Trojan War, a foundational epic that still...
| Seongchan Eol
Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

〈KPop Demon Hunters〉 next is 〈The East Palace〉. The hybrid-genre Netflix series 〈The East Palace〉—which mixes occult and historical drama with mystery, fantasy and action—finally unveiled its first episodes on the 17th after months of anticipation.
| Kim Ji-yeon