Search results for "kei"

One individual won a legal battle against a corporation. But what followed was not a jubilant cheer, but a sigh of relief at finally being able to catch her breath. The documentary 〈Horoomon〉, opening November 11, retraces human rights activist Shin Sugok's defamation lawsuit against DHC Television.

What if, overnight, it seemed the whole world was pointing fingers at you? Could you endure a flood of condemnation based solely on your background, without even a fair chance to respond? One person lived through an ordeal that sounds like something from a movie and ultimately got the chance to...

In November 2026, moviegoers will have a chance to encounter a remarkable figure on the big screen. That opportunity comes with 〈Horoomon〉, which reached Korean audiences at the 26th JEONJU International Film Festival in 2025.

Synergy between young people's realities and K-pop marketing The Japanese animated film 'Chiikawa: The Secret of Mermaid Island' is generating an unusually strong box-office buzz in South Korea, prompting a major Japanese media outlet to take an in-depth look at the phenomenon.

Director “Zhang Yimou”, the Chinese cinema master serving as jury president for this year’s 31st Busan International Film Festival competition, has firmly stated his position on the controversy over historical distortion surrounding “Assassins”, a film that has recently stirred South Korea’s movie...

The conversation brought together two of the leading directors of South Korea and Japan, Yeon Sang-ho and Kore-eda Hirokazu, whose distinctive worldviews and compelling storytelling have captivated audiences worldwide.

I have a soft spot for pop-culture fandoms. I check out anything with fresh ideas or characters — not just movies but webtoons, games, manga and animation. Comics opened the door to fandom for me; these days I’m a grown-up kid who reads manga on an e-reader and webtoons on my phone.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.