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'Michael' Drew in Bob Fosse ②: Reni's Transformation, the Unprecedented 8-Time Winner of the Tony for Best Choreography

'Michael' Drew in Bob Fosse ②: Reni's Transformation, the Unprecedented 8-Time Winner of the Tony for Best Choreography

〈Reni〉 is a film based on the true story of Renny Bruce, a 1960s stand-up comedian who died from a real drug addiction.
Bob Fosse is a choreographer and director with the unprecedented record of winning the Tony Award for choreography eight times. But as a film director, he was nominated for Best Director at the Academy Awards three times and failed to win a single trophy.
‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

‘Colony’ Yeon Sang-ho on Gu Kyo-hwan: He Was Disappointed He Didn’t Have the Ability in “Parasite: The Grey,” So He Proposed This Role

〈Colony〉 director Yeon Sang-ho, who directed the film, shared a casting anecdote involving Gu Kyo-hwan. During an on-site roundtable interview in a location in Jongno-gu, Seoul, on May 26, director Yeon Sang-ho talked about Gu Kyo-hwan, the actor with whom he has already collaborated for a fourth...
Stephen Colbert Ends “The Late Show” as Pressure-Influence Controversy Mounts, Closing 33 Years

Stephen Colbert Ends “The Late Show” as Pressure-Influence Controversy Mounts, Closing 33 Years

The final episode airs on the night of the 21st… Tribute relay featuring entertainment titans such as Tom Hanks and Bruce Springsteen CBS claims “financial reasons,” but suspicions of outside pressure intensify over whether it drove Colbert out as a “Trump critic” Jimmy Kimmel and Jimmy Fallon schedule “reruns” instead of airing live in a show of solidarity… The follow-up is Byron Allen’s comedy show
Legendary late-night talk show host Stephen Colbert (Stephen Colbert·62) — who helped lead a golden era for America’s late-night programs — has finally put down his microphone amid a sendoff from countless stars.
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
From YouTube Straight to Hollywood: 3 Film Directors Who Debuted Successfully with Genius-Level Creative Flair

From YouTube Straight to Hollywood: 3 Film Directors Who Debuted Successfully with Genius-Level Creative Flair

With the rise of social networking services and numerous solo media platforms, the gateway for new professionals has widened. The film industry is no exception. The boom of the video platform YouTube has produced countless creators, and some of them have been brought into the commercial film...
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​ Yes. It feels like they each hold the other’s leash.
[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

[Interview] Completing the Most Brilliant Finale of a Long Journey! 'Yumi's Cells 3' Kim Jae-won ①

In the Sun-rok Cell Village, a solid "Pillar of Principles" stands tall and straight. Small yet weighty rules like "wash your hair first when you shower" and "limit hobby spending to a maximum of 500,000 won per month" form the foundation of Sun-rok Cell Village and are what keep its peace intact.
[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

[Chua-Young’s Music Box] Music for the Purification Ritual of Wounded Youth: “Girls Band Cry”

I get hooked on the music in the film. Music sometimes conveys intimate feelings a character can’t fully express through the visuals alone—or through the lines you hear. It can also serve as a window into the creator’s hidden intentions. For me, understanding film music was one way to connect with the movie. “Chua-Young’s Music Box” lets you listen more closely to the movie’s voice through music. (P.S. While listening to the music, I hope you’ll read the article.)
Following the first film, 〈Girls Band Cry: The Movie—Youth Rhapsody〉 (hereinafter 〈Youth Rhapsody〉), the sequel 〈Girls Band Cry: The Movie, Hey Our Future〉 was released in theaters on April 16. This theatrical release is a compilation film: while it faithfully follows the existing story, it adds...
[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

[Kim Ji-yeon's Jewel Box] The Film's Biggest Discovery, 'Jjanggu' Jo Beom-gyu

I'm curious about people. Even actors who are already getting attention today may be the least famous they'll ever be. 'Kim Ji-yeon's Jewel Box' introduces actors who are hitting new highs day after day. Think of them as breakout stocks and get in at the ground floor.
How did they find someone like this. I wondered right away, thinking they might have literally brought in some unemployed neighborhood freeloader crashing at a friend’s place. The moment Jo Beom-gyu appears in 〈Jjanggu〉, bouncing his leg flippantly, that thought crossed my mind.
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.