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SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.
| Kim Ji-yeon
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
| Chua-young
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

A comedy film about an A-list chef who ends up working in a prison kitchen and inmates who create mind-blowing dishes with recipes and ingredients no one could have imagined.
Comedy film ‘The Taste of Prison,’ which depicts a fun food reformation story in which a star chef, suddenly thrown into rock bottom and assigned to work in a prison kitchen, and inmates awaken their souls by making dishes with recipes and ingredients beyond imagination has confirmed the casting of...
| Joo Seong-cheol
AI Actor Tilly Noud Lands Lead in Long Film, Stokes Hollywood Backlash

AI Actor Tilly Noud Lands Lead in Long Film, Stokes Hollywood Backlash

Tilly Noud, an AI performer that drew heavy criticism from the actors’ union, will star in the new movie “Misaligned,” potentially reigniting job-market controversy in the film industry
Hollywood’s long-standing tradition has finally hit a major turning point with the arrival of a seemingly intangible “artificial intelligence actor.” Beyond a mere technical experiment or a bit part, the entertainment industry worldwide was thrown into turmoil after the first case was announced of...
| James choi
NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

NBC crime thriller ‘The Hunting Party’ ends in final failure to produce Season 3 as cast contract options expire

Universal Television tried to move the show to a different platform, but it didn’t happen; fans who expected a dramatic structure like Netflix’s ‘Lucifer’ were crushed by the news of expired contracts Starring actors including Melissa Roxburgh are now free agents… as NBC’s fall lineup overhaul ushers the series into the past
After the network delivered a cancellation notice, NBC’s action crime investigation drama ‘The Hunting Party ’ bet on a dramatic bid for survival by probing a move to another platform—only to arrive at a complete end as the cast’s contract options expired for good.
| Yangsimoh
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
| Kim Ji-yeon
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정