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Actor Gong Myung Reveals His Steady and Passionate Filmography in 'Life is a Movie'

Actor Gong Myung Reveals His Steady and Passionate Filmography in 'Life is a Movie'

There was a reason for actor Gong Myung's success. On the 7th, Gong Myung appeared as a guest on KBS 1TV's movie talk show 'Life is a Movie', reflecting on his 13-year journey. 'Life is a Movie' is a program that looks back on the past and present of beloved content, from legendary classic films...
“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass.
The film 〈The Table: Day and Night〉 held a successful press screening and press conference ahead of its November 4 release. A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass, 〈The Table: Day and Night〉 wrapped up its press screening...
[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

[Chul-cheol Joo’s Locker] Poroporomi! Stephen Chow’s Most Heartbreaking Object: The Pandora’s Box in ‘A Chinese Odyssey’

I’m drawn to objects in movies. I find myself wondering why a director, cinematographer, production designer or actor would put a particular object in front of the camera. ‘Chul-cheol Joo’s Locker’ is a record of the objects in movies that have caught my eye.
Welcome to Stephen Chow’s world. If you’ve fallen for Chow’s movies after seeing the recent rerelease of 〈Kung Fu Hustle〉(2004), the next films I’d recommend are the two 1995 movies that die-hard Chow fans collectively call 〈A Chinese Odyssey〉: 〈A Chinese Odyssey Part One: Pandora’s Box〉(hereafter...
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

A deeply human story has found a deeply human actor. Min-jun (Justin H. Min) uses informal speech with Chun-hee (Kim Hye-ok) the moment they meet. Unaware of the hierarchy, etiquette and subtle distance between formal and informal Korean, the outsider’s familiar way of speaking becomes less an...
HYBE’s Price Target Cut 18.2% to 270,000 Won… A Buying Opportunity After BTS Hiatus

HYBE’s Price Target Cut 18.2% to 270,000 Won… A Buying Opportunity After BTS Hiatus

Korea Investment & Securities estimates third-quarter operating profit at 169.7 billion won and lowers valuation multiple to 25 times
Portfolio diversification stands out amid generational transition challenges in the entertainment industry On the 22nd, Korea Investment & Securities cut its price target for 'HYBE' by 18.2%, from 330,000 won to 270,000 won, reflecting market concerns about a hiatus in 'BTS' activities after the...
[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

I get fixated on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put a particular object in front of the camera. “Joo Sung-chul’s Locker” is a record of the objects in films that have quietly caught my eye.
What exactly was I watching. The image that has stayed with me throughout 〈Days of Being Wild〉, recently re-released in 4K, is Yuddy looking at himself in a mirror. The same goes for the opening, when he flashes his handsome face and says, “Would you look at my watch with me for just one minute.
[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

Director Lee Chang-dong’s first film in eight years, 〈Possible Love〉, was shown at the 31st Busan International Film Festival . Invited to the Icon section, the film met domestic film festival audiences for the first time after becoming the first Korean film to win the Grand Jury Prize at the 83rd...
Interview: Lee Joon-hyuk Says ‘〈Lotto Winner Still Goes to Work〉’ Offers Comfort to Office Workers

Interview: Lee Joon-hyuk Says ‘〈Lotto Winner Still Goes to Work〉’ Offers Comfort to Office Workers

※ This interview with actor Lee Joon-hyuk about 〈Lotto Winner Still Goes to Work〉 continues from Part 1. As winning the lottery can sometimes mark the start of misfortune, great luck can also turn into unhappiness. I think Gong Eun-tae made good use of that luck in the drama.