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Search results for "What I Decided to Do Was Die"

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

Casting confirmed for the same-titled webtoon adaptation 'What I Decided to Do Was Die'… 'Queen of Tears' director Kim Hee-won co-directs
A three-year reunion amid the web of fate… 'Time Loop' brings together a winning pair for box-office and audience appeal Lee Chae-min and Roh Yoon-seo, who stirred up fresh buzz with audiences earlier, are returning to the home-viewing scene with a fated romance after three years.
| James choi
Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

Lee Hwi-hyang and Kim Jung-tae on 《Family Trip》: ‘I Never Wanted Dementia Used as Just a Device’

▶ 〈Family Trip〉 The interview with actress Lee Hwi-hyang and director Kim Jung-tae continues from Part 1. As a "family film," the relationship between the grandmother and her granddaughter is intriguing. The grandmother keeps trying to go outside because of dementia, while the granddaughter,...
| Joo Seong-cheol
[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

Comic-book VFX deliver visceral impact in adaptation of hit webtoon, while Shin Seung-ho and Kang Ki-young join the cast and filmmakers hint at series potential at production briefing
Koo Kyo-hwan's 'Revival Man: The Red' . . . Set for release on the 30th, with 101 minutes of endless resurrection-fueled action and an expanded universe "I thought my life would end just like this, without having accomplished a single thing.
| James choi
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
| 이화정
[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Actor Nam Bora Welcomes Son on the 15th With Emergency C-Section After Low Amniotic Fluid: “I’ll Raise Him Beautifully”

Actor Nam Bora Welcomes Son on the 15th With Emergency C-Section After Low Amniotic Fluid: “I’ll Raise Him Beautifully”

At a final checkup while preparing for a natural birth, she was diagnosed with oligohydramnios—sharing details of the rushed emergency surgery Her son was born at 8:24 p.m. on the 15th, and she first shared a photo of her baby nickname “Kong-al-i”; “Like a second act of life, he’s already adapting calmly” After marrying a peer-age businessman in May last year, the news of her joyous first child has been met with congratulations
Nam Bora, 37, the eldest daughter in her “13-sibling” family and an actress who has won hearts with her warm acting, has finally become a mother. ■ “I Wanted a Natural Birth, But…” Confesses Emergency Surgery After Low Amniotic Fluid On July 17, actress Nam Bora smiled at her fans after sharing on...
| Yangsimoh
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol