The cultural power race of the 21st century is no longer the exclusive domain of giant capital. The ‘K-pop’ phenomenon that mega agencies have led has now reached a structural paradigm shift. The government’s newly launched ‘Global Leap Support for Small Agencies’ is not just a financial handout—it is a sociological experiment aimed at restoring ‘the diversity of the cultural ecosystem’.
![Girl group Rescene [provided by The Muse Entertainment. No resale or DB use]](https://cdn.www.cineplay.co.kr/w900/q75/article-images/2026-06-16/3cc01a1e-368c-4464-b7dd-2a7b76694be5.jpg)
A Cultural Turning Point That Breaks Capital’s Monopoly
The 10 selected teams bring ‘alternative narratives’ that will crack the standardized mainstream market. Built on a physical foundation of up to 300 million won per year, they take the stage using their own ‘locality’ and ‘originality’ as weapons. Autonomous support that removes barriers becomes a catalyst for maximizing creators’ agency.

From the Periphery to the Center, the Birth of a New Hegemony
‘Rescene’ targeting the U.S. and Japan head-on, ‘Tunex’ digging into India, and ‘Cantbblue’ forging global band-fandom communities all symbolize a diversification of cultural territory. Just as ‘Choi Sung-hee’ of the Content Media Industry Bureau has insight that ‘small agencies’ are the backbone of the industry, a second ‘small-agency miracle’ is completed only when it fulfills the public’s micro-level desires that giant capital cannot capture.

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