Search results for "Final Piece"

A comeback that breaks 12 years of silence, a K-pop legend remade as a trioK-pop sensation girl group 'Secret' made a dazzling return after a long hiatus of as many as 12 years. Original member 'Hyoseong Jeon' and 'Zinger', joined by new member 'Yebin', a new addition with solid skills, opened a...

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...

A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolutionThe 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to write...

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.

※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.